Diversity Reading List

The purpose of this discussion is twofold. First, I want to shed some light on Kant's concept of personhood as rational agency, by situating it in the context of the first Critique's conception of the self as defined by its rational dispositions. I hope to suggest that this concept of personhood cannot be simply grafted onto an essentially Humean conception of the self that is inherently inimical to it, as I believe Rawls, Gewirth, and others have tried to do. Instead I will try to show how deeply embedded this concept of personhood is in Kant's conception of the self as rationally unified consciousness. Second, I want to deploy this embedded concept of personhood as the basis for an analysis of the phenomenon of xenophobia.

The point of departure of this publication is philosophy, more precisely African philosophy and the question of the possibility of using African languages in philosophical discourse. This book sees Afrophone literatures as a prominent locus of philosophical discourse in African cultures. In its eleven chapters, the book investigates literary works in African languages and reads them with respect to their contribution to philosophy. Studying Swahili, Ndebele, Shona, Bambara, Yoruba and Lingala literatures, we have found philosophical insights which sometimes amount to no more than philosophical commonplaces, but occasionally make highly original contributions to philosophy. The deeper we penetrated into Afrophone discourses, the more remote became the departure point. The issue of "philosophies in African languages" was both methodologically and empirically settled, and we found ourselves looking for "a philosophy for Afrophone literatures". Philosophy became more of a tool than a goal in this process: it has the conceptual inventory to articulate the insights found in Afrophone literatures. Drawing on both Western and African philosophical traditions, with their concepts and conceptual frameworks, provides these new articulations with the necessary distance to secure a creative reflexion of the literary texts, developing their theme and showing them in a broader context of intellectual history. This book examines literatures in six African languages, from several regions within Bantu Africa (Swahili, Lingala, Shona, Ndebele) and from West Africa (Bambara, Yoruba). With the exception of Yoruba, where (although we know the language to some extent) we used texts collected and translated by other researchers, we have always relied on original texts written (and mostly also published) by their authors.

Abstract: While Stephen Davies argues that a debate on cross-cultural aesthetics is possible if we adopt an attitude of mutual respect and forbearance, his fellow symposiasts shed light upon different aspects which merit a closer scrutiny in such a dialogue. Samer Akkach warns that an inclusivistic embrace of difference runs the risk of collapsing the very difference one sought to understand. Julie Nagam underscores that local knowledge carriers and/or the medium should be involved in such a cross-cultural exploration. Enrico Fongaro searches for a way of experiencing cross-cultural art such that it can lead to a transformative experience Relatedly, Meilin Chinn uses the analogy of friendship to explore the edifying dimension of experiencing an art form. Lastly, John Powell studies whether Dickie’s Institutional Theory can be meaningfully used to identify works of art in Western and non-Western traditions.