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Added by: Andrea Blomqvist
Abstract: Nussbaum argues for a cognitivist theory of emotions, whereby an emotion is similar to a judgement. An emotion has an intentional object which is being evaluated as e.g. bad for one. On her view, our emotional reactions to different situations are connected to the idea of eudaimonia, and emotions could be seen as a guide to a flourishing life. As such, Nussbaum aims to explain how certain emotions feel like they're tearing us apart (e.g. grieving a dead family member), since they are literally bad for us. She thus departs from the Jamsian tradition whereby the psychological component of an emotion is emphasised (or emotions are sometimes reduced to physiological responses), and argues instead that the physiological response is not a necessary component of an emotion.Siegel, Susanna. Which Properties are Represented in Perception?2006, In Tamar S. Gendler & John Hawthorne (eds.), Perceptual Experience. Oxford University Press: 481-503.-
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Added by: Andrea Blomqvist
Abstract: In discussions of perception and its relation to knowledge, it is common to distinguish what one comes to believe on the basis of perception from the distinctively perceptual basis of one's belief. The distinction can be drawn in terms of propositional contents: there are the contents that a perceiver comes to believe on the basis of her perception, on the one hand; and there are the contents properly attributed to perception itself, on the other. Siegel argues that high-level properties should be attributed to percception itself. That, high-level properties can be the content of perception.Comment: This paper is interesting to consider in the cognition/perception debate, since high-level properties such as being a natural kind, or emotions and intentions, are normally taken to be features of cognition rather than perception. It raises interesting questions about the relationship between concepts, the content of perception and perceptual experience. It would be good in a third year module on perception.
Gertler, Brie. Renewed Acquaintance2012, In: Declan Smithies and Daniel Stoljar (ed.). Introspection and Consciousness. Oxford: Oxford University Press. pp. 89-123-
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Added by: Lukas Schwengerer
Summary: This chapter elaborates and defends a set of metaphysical and epistemic claims that comprise what is called the acquaintance approach to introspective knowledge of the phenomenal qualities of experience. The hallmark of this approach is the thesis that, in some introspective judgments about experience, (phenomenal) reality intersects with the epistemic, that is, with the subject's grasp of that reality. While this approach is a descendant of Russell's acquaintance theory, it is epistemically more modest than that theory. The chapter shows that the acquaintance approach's hallmark thesis does not carry the ambitious epistemic implications often associated with acquaintance views. And the chapter defends that thesis from objections stemming from what is required for an epistemically substantial grasp of the phenomenal, and from Stalnaker's worry that, if the thesis were true, information about the phenomenal would be incommunicable.Comment: An in-depth discussion of the acquaintance approach to introspection, providing a clear explanation and defense of the approach.
Jenkins, Carrie. What Is Love? An Incomplete Map of the Metaphysics2015, Journal of the American Philosophical Association 1(2): 349-364.-
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Added by: Rie Iizuka
Abstract: The paper begins by surveying a range of possible views on the metaphysics of romantic love, organizing them as responses to a single question. It then outlines a position, constructionist functionalism, according to which romantic love is characterized by a functional role that is at least partly constituted by social matters (social institutions, traditions, and practices), although this role may be realized by states that are not socially constructed.Comment: This paper is a good and clear introduction to metaphysics of love. The author offers a map of the options for a metaphysician of love, and she proposes her own view called constructionist functionalism on love.
Zagzebski, Linda. Epistemic Value and the Primacy of What We Care About2004, Philosophical Papers 33(3): 353-377.-
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Added by: Rie Iizuka, Contributed by: Wayne Riggs
Abstract: In this paper I argue that to understand the ethics of belief we need to put it in a context of what we care about. Epistemic values always arise from something we care about and they arise only from something we care about. It is caring that gives rise to the demand to be epistemically conscientious. The reason morality puts epistemic demands on us is that we care about morality. But there may be a (small) class of beliefs which it is not wrong to hold unconscientiously. I also argue that epistemic values enjoy a privileged place in the panorama of what we care about because they are entailed by anything we care about. That means that when there is a conflict between caring about knowledge or true belief and caring about something else, that conflict cannot be resolved simply by following the one we care about the most because caring about knowledge in any domain is entailed by caring about that domain. Finally, I argue that whereas caring demands different degrees of conscientiousness in different contexts, contextualism about knowledge is less plausible.Comment: An interesting paper on the concept of care in virtue epistemology. This paper might be useful in the course of virtue epistemology or philosophy of care.
Gertler, Brie. Introspecting Phenomenal States2001, Philosophy and Phenomenological Research 63(2): 305-328.-
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Added by: Lukas Schwengerer
Abstract: This paper defends a novel account of how we introspect phenomenal states, the Demonstrative Attention account (DA). First, I present a set of necessary and sufficient conditions for phenomenal state introspection which are not psychological, but purely metaphysical and semantic. Next, to explain how these conditions can be satisfied, I describe how demonstrative reference to a phenomenal content can be achieved through attention alone. This sort of introspective demonstration differs from perceptual demonstration in being non-causal. DA nicely explains key intuitions about phenomenal self-knowledge, makes possible an appealing diagnosis of blindsight cases, and yields a highly plausible view as to the extent of our first-person epistemic privilege. Because these virtues stem from construing phenomenal properties as non-relational features of states, my defense of DA constitutes a challenge to relational construals of phenomenal properties, including functionalism and representationalism. And I provide reason to doubt that they can meet this challenge.Comment: This paper is a good and clear example of an acquaintance account of introspection with regard to phenomenal states. It can be used as a specialised reading on introspection, or as a supplement to discussions of phenomenal states. Because it involves a challenge to relational construals of phenomenal properties it can also be used in advanced philosophy of mind discussing the nature of phenomenal properties.
Feagin, Susan L.. The pleasures of Tragedy1983, American Philosophical Quarterly 20 (1): 95-104.-
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Added by: Laura Jimenez, Contributed by: Christy Mag Uidhir
Summary: This article addresses a paradox that has puzzled philosophers of art since Aristotle: tragedies produce, and are designed to produce, pleasure for the audiences, without supposing any special callousness or insensitivity on their part. The author introduces a distinction which enables us to understand how we can feel pleasure in response to tragedy, and which also sheds some light on the complexity of such responses. The virtues of this approach lie in its straightforward solution to the paradox of tragedy as well as the bridges the approach builds between this and some other traditional problems in aesthetics, and the promising ways in which we are helped to see their relationships. In particular, we are helped to understand the feeling many have had about the greatness of tragedy in comparison to comedy, and provided a new perspective from which to view the relationship between art and morality.Comment: Really clear introduction to the nature of the relationship between aesthetic and moral value, and specifically to the topic of meta-responses to art. The last section of the paper also throws some light upon the differences between responses and meta-responses to real situations and to art. The reading is not very difficult so in principle, it could be used by undergraduate students. On the other hand, the paper contains some very specialised detail, so it might be recommendable to use it for postgraduate courses in both ethics and aesthetics.
Yuriko Saito. Everyday Aesthetics2007, Oxford: Oxford University Press-
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Added by: Meilin Chinn, Contributed by: Christy Mag Uidhir
Publisher's Note: Everyday aesthetic experiences and concerns occupy a large part of our aesthetic life. However, because of their prevalence and mundane nature, we tend not to pay much attention to them, let alone examine their significance. Western aesthetic theories of the past few centuries also neglect everyday aesthetics because of their almost exclusive emphasis on art. In a ground-breaking new study, Yuriko Saito provides a detailed investigation into our everyday aesthetic experiences, and reveals how our everyday aesthetic tastes and judgments can exert a powerful influence on the state of the world and our quality of life. By analysing a wide range of examples from our aesthetic interactions with nature, the environment, everyday objects, and Japanese culture, Saito illustrates the complex nature of seemingly simple and innocuous aesthetic responses. She discusses the inadequacy of art-centered aesthetics, the aesthetic appreciation of the distinctive characters of objects or phenomena, responses to various manifestations of transience, and the aesthetic expression of moral values; and she examines the moral, political, existential, and environmental implications of these and other issues.Comment: Saito draws on the lack of strong distinctions between fine and applied arts in Japan, as well as feminist insights and environmental aesthetics, to explore topics such as the non-disinterested nature of day to day aesthetic judgment, attitudes toward mess and disorder, and the aesthetics of domestic life. Her detailed work opens up the extraordinary complexity, including moral dimensions, of ordinary aesthetic responses to everyday objects and experiences. This is a good text to pair with cross-cultural texts on everyday aesthetics. Does not require an understanding of Japanese aesthetics and philosophy.
Steinbock, Eliza. Generative Negatives: Del LaGrace Volcano’s Herm Body Photographs2014, Transgender Studies Quarterly 1(4): 539-551.-
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Added by: Hans Maes
Summary: In conventional film photography, negatives are used in the darkroom to produce positive images, but in the outmoded medium Polaroid 665 the positive image is used to make a unique negative that can then be employed to make positive prints in the future. This generativity of the Polaroid 665 negative is used by the artist to mirror the complexity of feelings regarding intersex bodies. The series shows how negative affect can be productive and political, even when it appears to suspend agency.Comment: Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.
Artworks to use with this text:
Del LaGrace Volcano, Herm Body (2011- )
Self-portraits which clearly reference the work of John Coplans and reflect on Volcano’s midlife embodiment changed by hormones, age, and weight. The title draws attention to the materiality of its subject, insisting that we receive the body as ‘herm’ – a word Volcano uses to name intersex history and claim trans embodiment. Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.
Artworks to use with this text:
Del LaGrace Volcano, Herm Body (2011- )
Self-portraits which clearly reference the work of John Coplans and reflect on Volcano’s midlife embodiment changed by hormones, age, and weight. The title draws attention to the materiality of its subject, insisting that we receive the body as ‘herm’ – a word Volcano uses to name intersex history and claim trans embodiment.
Kristeva, Julia. Approaching Abjection1982, In: Powers of Horror: An Essay on Abjection, Columbia University Press, pp. 1-31.-
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Added by: Rossen Ventzislavov
Summary: The abject - expressed through the grotesque, the gross and the physically challenging - has long been a source of innovation and scandal in the art world. For Kristeva abjection accounts for much of the complexity of the human condition. She understands abjection to encompass various aspects of our humanity that are often seen as conceptually and/or experientially disparate - emotion, embodiment, affect, repression, criminality, hygiene etc. Kristeva's guiding intuition is that the abject helps arbitrate between our perception of ourselves as subject and object. In the liminal space between the two, the "I" is experienced in its full heterogeneity to the frequent detriment of traditional ethical, aesthetic, and scientific considerations. This has direct bearing on performance art, whose history is marked by the deliberate departure from beauty and, concurrently, the constant renegotiation of identity between the extremes of subject and object.Comment: Best if read together with Sigmund Freud's "The Uncanny"
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Nussbaum, Martha. Emotions as Judgments of Value and Importance
2004, In Robert C. Solomon (ed.), Thinking About Feeling: Contemporary Philosophers on Emotions. Oxford University Press
Comment: This paper offers a good introduction into the cognitivist theories of emotions and their basic claims. It would be good to pair with non-cognitivist theories such as William James's or Jesse Prinz's.