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Sullivan, Shannon, Nancy Tuana (eds). Race and the Epistemologies of Ignorance
2007, State University of New York Press

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Added by: Simon Fokt, Contributed by: Yoko Arisaka

Publisher's Note: Offering a wide variety of philosophical approaches to the neglected philosophical problem of ignorance, this groundbreaking collection builds on Charles Mills’s claim that racism involves an inverted epistemology, an epistemology of ignorance. Contributors explore how different forms of ignorance linked to race are produced and sustained and what role they play in promoting racism and white privilege. They argue that the ignorance that underpins racism is not a simple gap in knowledge, the accidental result of an epistemological oversight. In the case of racial oppression, ignorance often is actively produced for purposes of domination and exploitation. But as these essays demonstrate, ignorance is not simply a tool of oppression wielded by the powerful. It can also be a strategy for survival, an important tool for people of color to wield against white privilege and white supremacy. The book concludes that understanding ignorance and the politics of such ignorance should be a key element of epistemological and social/political analyses, for it has the potential to reveal the role of power in the construction of what is known and provide a lens for the political values at work in knowledge practices.

“This anthology brings together some very prominent philosophers to address one of the most embarrassing and blatantly ignored elephants in philosophy: ignorance. While philosophers claim to be children of Socrates, who alone was virtuous and courageous enough to recognize the fecundity of ignorance, few have really addressed it with the verve and originality displayed in the contributions to this volume. I consider it a must-have for libraries, faculty, and graduate students.” — Eduardo Mendieta, editor of The Frankfurt School on Religion: Key Writings by the Major Thinkers

Contributors include Linda Martín Alcoff, Alison Bailey, Robert Bernasconi, Lorraine Code, Harvey Cormier, Stephanie Malia Fullerton, Sarah Lucia Hoagland, Frank Margonis, Charles W. Mills, Lucius T. Outlaw (Jr.), Elizabeth V. Spelman, Shannon Sullivan, Paul C. Taylor, and Nancy Tuana.

Comment: Different chapters can be used as a reading material on situated epistemology, philosophy of race, production of knowledge

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Dotson, Kristie. Tracking Epistemic Violence, Tracking Practices of Silencing
2011, Hypatia 26 (2):236-257.

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Added by: Simon Fokt, Contributed by: Naomi Beecroft, Emily Dyson

Abstract: Too often, identifying practices of silencing is a seemingly impossible exercise. Here I claim that attempting to give a conceptual reading of the epistemic violence present when silencing occurs can help distinguish the different ways members of oppressed groups are silenced with respect to testimony. I offer an account of epistemic violence as the failure, owing to pernicious ignorance, of hearers to meet the vulnerabilities of speakers in linguistic exchanges. Ultimately, I illustrate that by focusing on the ways in which hearers fail to meet speaker dependency in a linguistic exchange, efforts can be made to demarcate the different types of silencing people face when attempting to testify from oppressed positions in society.

Comment: This text provides an alternative framework to epistemic injustice and focuses on the positionality of black women. It encourages thought about (certain kinds of) ignorance as specific harms to others. This would suit an undergraduate class who were looking at race, gender, and/or applied epistemologies.

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Cahill, Ann J., Jennifer Hansen (eds.). Continental Feminism Reader
2003, Rowman & Littlefield

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Added by: Alison Stone

Publisher's Note: Ann J. Cahill and Jennifer Hansen collect the most groundbreaking recent work in Continental feminist theory, introducing and explaining pieces that are often mystifying to those outside the field and outside academia. With these essays, Continental Feminism Reader begins the process of reanimating feminist politics through the critical tools of its contributors.

Comment: A collection of essays that represent a range of continental-philosophy influenced approaches within feminism, for example with selections from the work of Judith Butler and Kelly Oliver. It could be used as the basis of a course on feminist philosophy if approaching it from a continental perspective, or separate chapters could be used as some of the readings.

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Vince, Rosa. Testimonial Smothering and Pornography
2018, Feminist Philosophy Quarterly 4(3)

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Added by: Andrea Blomqvist, Contributed by: Rosa Vince

Abstract: This paper defends the claim that there are two previously underexplored ways in which pornography silences women. These ways that pornography silences are (1) the smothering of refusal and (2) the smothering of sexual assault reports, and they can be explained in part through Kristie Dotson’s account of “testimonial smothering.” Unlike the work of other writers in the pornography as silencing literature, my discussion of silenced refusal of sex deals with the cases where women have said yes to sex but would have said no if they had felt that they could have. I show that this, and cases where women do not report sexual assault, count as testimonial smothering through identifying rape myths as a species of “pernicious ignorance.” I make the connection to pornography in presenting evidence that pornography contributes to acceptance of rape myths. This takes us to my general conclusion: Dotson’s account of testimonial smothering gives us a way in which pornography contributes to the silencing of women, by silencing their refusal of sex and their reports of sexual assault.

Comment: This paper can be used as a stand-alone argument for how some pornography might silence women, or can be viewed as part of the literature on silencing and pornography; as an alternative strategy to Rae Langton's approach, using Kristie Dotson's work instead of J L Austin's. It can also be used as an example of how Kristie Dotson's work on Testimonial Injustice has broad application.

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Thomas, Angie. The Hate U Give
2017, HarperCollins Publishers.

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Added by: Andrea Blomqvist, Contributed by: Nadia Mehdi

Summary: The Hate U Give is a young adult novel by Angie Thomas. It follows events in the life of a black 16-year-old girl, Starr Carter, who is drawn to activism after she witnesses the police shooting of a childhood friend.

Comment: This book could be easily paired with a number of papers in the philosophy of race and racism including Charlies Mills' 'White Ignorance', or Kristie Dotson's 'Tracking Epistemic Violence, Tracking Practices of Silencing'. Concepts that are perhaps trickier for younger philosophers to wrap their heads around are elaborated in the film and book version of this piece.

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Taylor, Paul C.. Black is Beautiful: A Philosophy of Black Aesthetics
2016, Taylor, Paul C. (2015). Black is Beautiful: A Philosophy of Black Aesthetics. Wiley-Blackwell.

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Added by: Andrea Blomqvist, Contributed by: Scott Robinson

Publishe Publisher's Note: Those who know anything about black history and culture probably know that aesthetics has long been a central concern for black thinkers and activists. The Harlem Renaissance, the Negritude movement, the Black Arts Movement, and the discipline of Black British cultural studies all attest to the intimate connection between black politics and questions of style, beauty, expression, and art. And the participants in these and other movements have made art and offered analyses that wrestle with clearly philosophical issues. In A Philosophy of Black Aesthetics, I propose to identify and explore the most significant philosophical issues that emerge from the aesthetic dimensions of black life. The book will consist of eight short chapters, each of which will discuss a complex of related themes and phenomena. Every chapter will begin with one or two illustrative real-world examples, and then use the complexities of these opening cases to introduce the relevant issues. Many people in several fields have explored various bits of the terrain that I’ll cover. But none has surveyed the entire terrain in the name of aesthetics, and none has conducted this survey from an explicitly philosophical perspective. Setting up the project in this way means that its main conclusions will come in two forms. One kind of conclusion will emerge from the way I frame the issues. The two most important points here are that the field of aesthetics ought to cover more than the study of western fine art, and that the field of black aesthetics allows and requires the sort of comprehensive and philosophical analysis that I’ll offer. Another set of conclusions will emerge from my treatment of the specific issues in each chapter. In each case the aim will be to defend, albeit briefly, some position on the major issues raised in each chapter.

Comment: This text is an excellent introduction to Black American Aesthetics. Drawing on Critical Race Theory, Taylor locates the historical and philosophical background to black aesthetics in America. This text could be used as a contemporary text in a course on the tradition of aesthetics, or as an introductory text to a course on critical aesthetics. It could also be used in 'Critical Race Theory' courses for an aesthetics angle. Its chapters deal with issues of visibility, authenticity, embodiment and inter-racial exchanges.

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Tanesini, Alessandra. “Calm down, dear”: intellectual arrogance, silencing and ignorance
2016, Aristotelian Society Supplementary Volume 90(1): 71-92.

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Added by: Rie Izuka

Abstract: In this paper I provide an account of two forms of intellectual arrogance which cause the epistemic practices of conversational turn-taking and assertion to malfunction. I detail some of the ethical and epistemic harms generated by intellectual arrogance, and explain its role in fostering the intellectual vices of timidity and servility in other agents. Finally, I show that arrogance produces ignorance by silencing others (both preventing them from speaking and causing their assertions to misfire) and by fostering self-delusion in the arrogant themselves.

Comment: This article examines intellectual vices of arrogance, and its counterpart: servility. The author explains how the former vice develops the latter: culpably breaking of the norms of turn-taking of conversation locutionarily silences other conversants, and such disrespectful behavior would lead conversants to fall into a vice of intellectual servility. This paper works well in teaching individual vice to undergrads, it does not require any prior knowledge of virtue epistemology, hence, perfect for introductory course of virtue epistemology.

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Langton, Rae, Jennifer Hornsby. Free Speech and Illocution
1998, Legal Theory 4(1): 21-37.

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Added by: Emily Paul

Abstract: We defend the view of some feminist writers that the notion of silencing has to be taken seriously in discussions of free speech. We assume that what ought to be meant by 'speech', in the context 'free speech', is whatever it is that a correct justification of the right to free speech justifies one in protecting. And we argue that what one ought to mean includes illocution, in the sense of J.L. Austin.

Comment: Very useful for an ethics course element on free speech, or for a feminist philosophy course, or indeed a philosophy of language (trap with the latter is that essays might become too 'ethics'-y). Would definitely be suitable as a core text, with set questions focusing on different elements of the paper to draw out the key arguments. Students could be asked whether they agree with this definition of free speech, and to apply it in different contexts that have recently been in the news.

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Holroyd, Jules, Robin Scaife, Tom Stafford. What is Implicit Bias?
2017, Philosophy Compass 12(10).

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Added by: Emily Paul

Abstract: Research programs in empirical psychology over the past few decades have led scholars to posit implicit biases. This is due to the development of innovative behavioural measures that have revealed aspects of our cognitions which may not be identified on self?report measures requiring individuals to reflect on and report their attitudes and beliefs. But what does it mean to characterise such biases as implicit? Can we satisfactorily articulate the grounds for identifying them as bias? And crucially, what sorts of cognitions are in fact being measured; what mental states or processes underpin such behavioural responses? In this paper, we outline some of the philosophical and empirical issues engaged when attempting to address these three questions. Our aim is to provide a constructive taxonomy of the issues, and how they interrelate. As we will see, any view about what implicit bias is may depend on a range of prior theoretical choices.

Comment: Perfect for the start of a unit/course on implicit bias, as this paper provides a clear overview of the phenomenon of implicit bias, the evidence for it, and ways to interpret it.

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Smalls, James. African-American Self-Portraiture
2001, Third Text, pp. 47-62.

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Added by: Hans Maes

Summary: As 'always already' racialized object of the white patriarchal look African-Americans have enduringly suffered from having to negotiate notions of the self from a crisis position. The act of self-portraiture for the African-American artist has the value of bestowing upon the self-portraitist a sense of empowerment.

Comment: Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.

Artworks to use with this text:

Lyle Ashton Harris, Construct #10 (collection of the artist, 1988)

Harris's self-portraits are redemptive and liberatory in their focus on the self. They challenge standard discourse on identity and subjectivity to present a new sign of black power and liberation. Because his photographs expose gender as constructed and performed, they also, in the process, subvert phallocentrism and compulsory heterosexuality. Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.

Artworks to use with this text:

Lyle Ashton Harris, Construct #10 (collection of the artist, 1988)

Harris's self-portraits are redemptive and liberatory in their focus on the self. They challenge standard discourse on identity and subjectivity to present a new sign of black power and liberation. Because his photographs expose gender as constructed and performed, they also, in the process, subvert phallocentrism and compulsory heterosexuality.

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