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Kwang-Myung Kim. Korean Aesthetic Consciousness and the Problem of Aesthetic Rationality
1998, Canadian Aesthetics Journal, 2

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Added by: Meilin Chinn

Abstract: Aesthetic emotions are reputed to be irrational, but, aesthetic emotions as mental phenomena bear complex relations to rationality. Emotions give us knowledge about the world. The aesthetic consciousness of Korean is the internal roots of the Korean's mentality. The aesthetic consciousness and the mentality are inseparably related to each other. The aesthetic consciousness as the analogy of reason, in the context of A.G. Baumgarten plays a role to extend the logical world. Aesthetic rationality is the common sense or the communicative rationality of it. For the argument of universality we discuss the problem of aesthetic rationality. Since the modern aesthetics, the problem of aesthetic rationality came on the stage of aesthetics. Shamanism as the deep-rooted element of Korean mentality is the most authentic cultural legacy of Koreans. Buddhism, Confucianism, Taoism, and other religious elements influence the unique nature of the Korean character together with shamanism. They play a decisive role in determining the Korean mentality or consciousness. For Koreans, nature is a mirror of the self and a world of meditation which gives life, restoring all things to their proper state. As a peculiar color consciousness, Korean monochrome is characterized by vitality, spontaneity and unconcern for technical perfection. Korean art also tends to be devoid of an artificial movement and this reflects dislike of disturbance, deformation and convention. If we are to consider Korean contemporary art from an international perspective, we must define what it means to be Korean, i.e. our cultural habits and artistic elements hidden in the artist's unconsciousness. In this age of multiculturalism, the new interpretation on tradition makes it possible to merge the Korean art with the world stage. The extension of aesthetic emotion through experimentation shows us the change of aesthetic consciousness as a new possibility of interpretation.

Comment: Kim argues for aesthetic rationality, as a kind of aesthetic consciousness, at the heart of Korean identity. He traces its unique cultural legacy in Korean shamanism, Buddhism, Confucianism, and Daoism in order to account for the characteristic vitality and spontaneity in Korean art. This text is appropriate for an aesthetics course. It does not require a background in Korean philosophy, but at least an introductory knowledge of aesthetics would be beneficial.

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Toshihiko Izutsu, Toyo Izutsu. The Theory of Beauty in the Classical Aesthetics of Japan
1981, The Hague: Martibus Nijhoff Publishers.

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Added by: Meilin Chinn

Publisher's Note: The Japanese sense of beauty as actualized in innumerable works of art, both linguistic and non-linguistic, has often been spoken of as something strange to, and remote from, the Western taste. It is, in fact, so radically different from what in the West is ordinarily associated with aesthetic experience that it even tends to give an impression of being mysterious, enigmatic or esoteric. This state of affairs comes from the fact that there is a peculiar kind of metaphysics, based on a realization of the simultaneous semantic articulation of consciousness and the external reality, dominating the whole functional domain of the Japanese sense of beauty, without an understanding of which the so-called 'mystery' of Japanese aesthetics would remain incomprehensible. The present work primarily purports to clarify the keynotes of the artistic experiences that are typical of Japanese culture, in terms of a special philosophical structure underlying them. It consists of two main parts: (1) Preliminary Essays, in which the major philosophical ideas relating to beauty will be given a theoretical elucidation, and (2) a selection of Classical Texts representative of Japanese aesthetics in widely divergent fields of linguistic and extra-linguistic art such as the theories of waka-poetry, Noh play, the art of tea, and haiku. The second part is related to the first by way of a concrete illustration, providing as it does philological materials on which are based the philosophical considerations of the first part.

Comment: The authors clarify key aspects of what they consider to be the Japanese sense of beauty and artistic experience in terms of their philosophical structures. The first part of the book theorizes the major philosophical ideas related to beauty, while the second part is an illustration of these ideas by way of representative Japanese arts, including waka-poetry, n? drama, the art of tea, and haiku. This text provides a sophisticated overview of beauty in the classical Japanese aesthetics. It is accessible to readers without familiarity in aesthetics or Japanese philosophy, however it would be optimal for readers to have introductory knowledge in these areas.

Related reading:

  • Dōgen, Sanshōdōei. In Steven Heine, Japanese Poetry and Aesthetics in Dogen Zen. New York: Peter Lang Publishing, 1989.
The authors clarify key aspects of what they consider to be the Japanese sense of beauty and artistic experience in terms of their philosophical structures. The first part of the book theorizes the major philosophical ideas related to beauty, while the second part is an illustration of these ideas by way of representative Japanese arts, including waka-poetry, n? drama, the art of tea, and haiku. This text provides a sophisticated overview of beauty in the classical Japanese aesthetics. It is accessible to readers without familiarity in aesthetics or Japanese philosophy, however it would be optimal for readers to have introductory knowledge in these areas.

Related reading:

  • Dōgen, Sanshōdōei. In Steven Heine, Japanese Poetry and Aesthetics in Dogen Zen. New York: Peter Lang Publishing, 1989.


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Chino, Kaori. A Man Pretending to Be a Woman: On Yasumasa Morimura’s “Actresses”
2000, in: Brand, Peg Zeglin (ed.), Beauty Matters, Bloomington: Indiana University Press, pp. 252-265.

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Added by: Hans Maes

Summary: Argues that Morimura's portraits achieve something that depictions of the female body rarely can. Morimura invites the violent male gaze with his exposed body and then, in the next moment, snubs and nullifies it. With references to Andy Warhol's portraits of Marilyn Monroe and Cindy Sherman's work.

Comment: Useful in discussing portraiture and depiction, and objectification in general.

Artworks to use with this text:

Yasumasa Morimura, Descent of the Actresses (1994)

Self-portraits in which the artists impersonates famous actresses. Useful in discussing portraiture and depiction, and objectification in general.

Artworks to use with this text:

Yasumasa Morimura, Descent of the Actresses (1994)

Self-portraits in which the artists impersonates famous actresses.

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Yuriko Saito. Why Restore Works of Art?
1985, The Journal of Aesthetics and Art Criticism 44(2):141-151.

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Added by: Erich Hatala Matthes

Summary: Saito examines arguments concerning why artworks should be restored, which are couched in terms of a debate between "purist" and "integral/conservator" restoration. Purists believe artworks should only be cleaned, emphasizing the integrity of the material object, whereas integral restorationists are open to adding material to the work, emphasizing the integrity of the original aesthetic experience. Rather than embracing a particular side in this debate, Saito's discussion reveals how cultural/historical considerations can be as important to the debate over restoration as aesthetic considerations.

Comment: This article offers a useful philosophical framework for thinking about the relationship among preservation, restoration, and authenticity. Using it alongside the following readings might be particularly good in inspiring further discussion: Coleman, Elizabeth Burns. “Aboriginal Painting: Identity and Authenticity.” Jeffers, Chike. “The Ethics and Politics of Cultural Preservation.” Young, James O. “Art, Authenticity and Appropriation.” Korsmeyer, Carolyn. “Real Old Things.” Karlström, Anna. “Authenticity.” This article offers a useful philosophical framework for thinking about the relationship among preservation, restoration, and authenticity. Using it alongside the following readings might be particularly good in inspiring further discussion: Coleman, Elizabeth Burns. “Aboriginal Painting: Identity and Authenticity.” Jeffers, Chike. “The Ethics and Politics of Cultural Preservation.” Young, James O. “Art, Authenticity and Appropriation.” Korsmeyer, Carolyn. “Real Old Things.” Karlström, Anna. “Authenticity.”

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Olberding, Amy. It’s not Them, it’s You: A Case Study in the Exclusion of Non-Western Philosophy
2015, Comparative Philosophy 6(2): 14-34.

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Added by: Nick Novelli

Abstract: My purpose in this essay is to suggest, via case study, that if Anglo-American philosophy is to become more inclusive of non-western traditions, the discipline requires far greater efforts at self-scrutiny. I begin with the premise that Confucian ethical treatments of manners afford unique and distinctive arguments from which moral philosophy might profit, then seek to show why receptivity to these arguments will be low. I examine how ordinary good manners have largely fallen out of philosophical moral discourse in the west, looking specifically at three areas: conditions in the 18th and 19th centuries that depressed philosophical attention to manners; discourse conventions in contemporary philosophy that privilege modes of analysis not well fitted to close scrutiny of manners; and a philosophical culture that implicitly encourages indifference or even antipathy toward polite conduct. I argue that these three areas function in effect to render contemporary discourse inhospitable to greater inclusivity where Confucianism is concerned and thus, more broadly, that greater self-scrutiny regarding unexamined, parochial western commitments and practices is necessary for genuine inclusivity

Comment: This article provides an excellent look at the reasons for the exclusion of Confucian philosophy from the Western tradition. It would be useful as a set-up in a course or part of a course on Asian or Confucian philosophy, or in the context of metaphilosophy or a discussion about race and culture in philosophy.

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Olberding, Amy, Philip J. Ivanhoe (eds.). Mortality in Traditional Chinese Thought
2011, SUNY Press.

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Added by: Nick Novelli

Publisher's note: Mortality in Traditional Chinese Thought is the definitive exploration of a complex and fascinating but little-understood subject. Arguably, death as a concept has not been nearly as central a preoccupation in Chinese culture as it has been in the West. However, even in a society that seems to understand death as a part of life, responses to mortality are revealing and indicate much about what is valued and what is feared. This edited volume fills the lacuna on this subject, presenting an array of philosophical, artistic, historical, and religious perspectives on death during a variety of historical periods. Contributors look at material culture, including findings now available from the Mawangdui tomb excavations; consider death in Confucian, Daoist, and Buddhist traditions; and discuss death and the history and philosophy of war.

Comment: This volume contains a number of excellent essays on mortality as it appears in Chinese philosophy. It would be useful in a history of Chinese philosophy course, or to provide an additional perspective in a course on philosophy of death, immortality and the afterlife. Of particular value for this purpose is Tao Jiang's chapter comparing Linji Yixuan's views on immortality to those of William James, discussing the degree to which remembrance counts as immortality.

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Olberding, Amy (ed.). Dao Companion to the Analects
2014, Springer.

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Added by: Nick Novelli

Publisher's note: This volume surveys the major philosophical concepts, arguments, and commitments of the Confucian classic, the Analects. In thematically organized chapters, leading scholars provide a detailed, scholarly introduction to the text and the signal ideas ascribed to its protagonist, Confucius. The volume opens with chapters that reflect the latest scholarship on the disputed origins of the text and an overview of the broad commentarial tradition it generated. These are followed by chapters that individually explore key areas of the text’s philosophical landscape, articulating both the sense of concepts such as renli, and xiao as well as their place in the wider space of the text. A  final section addresses prominent interpretive challenges and scholarly disputes in reading the Analects, evaluating, for example, the alignment between the Analects and contemporary moral theory and the contested nature of its religious sensibility. Dao Companion to the Analects offers a comprehensive and complete survey of the text's philosophical idiom and themes, as well as its history and some of the liveliest current debates surrounding it. This book is an ideal resource for both researchers and advanced students interested in gaining greater insight into one of the earliest and most influential Confucian classics.

Comment: This volume provides an excellent overview of Confucius' Analects, with a number of excellent essays by both Chinese and Western philosophers. It would be a good textbook to use for a course that is an introduction to Asian/Confucian philosophy, or individual chapters could be used to provide an additional perspective in more general courses on certain topics:

  • Hui Chieh Loy's chapter on language and ethics would be useful in moral theory courses that focus on virtue ethics or the relation between epistemology and morality,
  • Bai Tongdong's chapter could be taught in the context of comparative political theory (particularly potential justifications for authoritarianism),
  • and Li-Hsiang Lisa Rosenlee's chapter would be very valuable as part of an examination of care ethics and feminist philosophy.
This volume provides an excellent overview of Confucius' Analects, with a number of excellent essays by both Chinese and Western philosophers. It would be a good textbook to use for a course that is an introduction to Asian/Confucian philosophy, or individual chapters could be used to provide an additional perspective in more general courses on certain topics:
  • Hui Chieh Loy's chapter on language and ethics would be useful in moral theory courses that focus on virtue ethics or the relation between epistemology and morality,
  • Bai Tongdong's chapter could be taught in the context of comparative political theory (particularly potential justifications for authoritarianism),
  • and Li-Hsiang Lisa Rosenlee's chapter would be very valuable as part of an examination of care ethics and feminist philosophy.


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Morioka, Masahiro. Is Meaning in Life Comparable? From the Viewpoint of ‘The Heart of Meaning in Life’
2015, Journal of Philosophy of Life 5(3): 50-65.

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Added by: Laura Jimenez

Abstract: The aim of this paper is to propose a new approach to the question of meaning in life by criticizing Thaddeus Metz's objectivist theory in his book Meaning in Life: An Analytic Study. The author proposes the concept of 'the heart of meaning in life,' which alone can answer the question, 'Alas, does my life like this have any meaning at all?' and demonstrates that 'the heart of meaning in life' cannot be compared, in principle, with other people's meaning in life. The answer to the question of 'the heart of meaning in life' ought to have two values, yes-or-no, and there is no ambiguous gray zone between them.This concept constitutes the very central content of meaning in life.

Comment: This article is adequate for undergraduate courses in Value Theory. The author develops his view by arguing against the theory developed by Thaddeaus Metz, so it would be recommendable (although it's not necessary) to read some of Thaddeaus' work first. It could be used as an Introductory or secondary reading. No previous knowledge of value theory is needed.

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Jaegwon, Kim. What is “naturalized epistemology”?
1988, Philosophical Perspectives 2: 381-405.

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Added by: Jie Gao

Abstract: This paper analyzes and evaluates quine's influential thesis that epistemology should become a chapter of empirical psychology. quine's main point, it is argued, is that normativity must be banished from epistemology and, more generally, philosophy. i claim that without a normative concept of justification, we lose the very concept of knowledge, and that belief ascription itself becomes impossible without a normative concept of rationality. further, the supervenience of concepts of epistemic appraisal shows that normative epistemology is indeed possible.

Comment: This is a very good introductory reading on naturalised epistemology. It is often used in combination with Quine's paper "Epistemology Naturalized". Suitable for a lower-level undergraduate courses in epistemology.

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Shogenji, Tomoji. The Degree of Epistemic Justification and the Conjunction Fallacy
2012, Synthese 184 (1): 29-48.

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Added by: Jie Gao

Abstract: This paper describes a formal measure of epistemic justification motivated by the dual goal of cognition, which is to increase true beliefs and reduce false beliefs. From this perspective the degree of epistemic justification should not be the conditional probability of the proposition given the evidence, as it is commonly thought. It should be determined instead by the combination of the conditional probability and the prior probability. This is also true of the degree of incremental confirmation, and I argue that any measure of epistemic justification is also a measure of incremental confirmation. However, the degree of epistemic justification must meet an additional condition, and all known measures of incremental confirmation fail to meet it. I describe this additional condition as well as a measure that meets it. The paper then applies the measure to the conjunction fallacy and proposes an explanation of the fallacy.

Comment: This interesting paper on epistemic justification requires prerequisite knowledge on formal epistemology. It is hence suitable for an advanced undergraduate course or graduate course on epistemology or formal epistemology.

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