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Olberding, Amy. A Sensible Confucian Perspective on Abortion
2015, Dao: A Journal of Comparative Philosophy 14 (2):235-253.

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Added by: Chris Blake-Turner

Abstract: Confucian resources for moral discourse and public policy concerning abortion have potential to broaden the prevailing forms of debate in Western societies. However, what form a Confucian contribution might take is itself debatable. This essay provides a critique of Philip J. Ivanhoe's recent proposal for a Confucian account of abortion. I contend that Ivanhoe's approach is neither particularly Confucian, nor viable as effective and humane public policy. Affirmatively, I argue that a Confucian approach to abortion will assiduously root moral consideration and public policy in evidence-based strategies that recognize the complexity of the phenomena of unplanned pregnancy and abortion. What most distinguishes a Confucian approach, I argue, is a refusal to treat abortion as a moral dilemma that stands free of the myriad social conditions and societal inequities in which empirical evidence shows it situates.

Comment: This paper could be usefully coupled with the Ivanhoe paper it criticizes, but it does a good job of summarizing that view and so can also stand on its own. It's an especially useful example of how to apply Confucian principles to a vexed contemporary moral issue. It also provides a good model of a Confucian-inspired philosopher criticizing another on grounds internal to that tradition, which can be used to dispel the thought that Confucian particularism leads to an "anything goes" approach to moral problems.

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Kongzi (Confucius). Analects (Selections)
2005, In: Readings in Classical Chinese Philosophy (Second Edition). Edited by Philip J. Ivanhoe and Bryan W. Van Norden. Hackett.

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Added by: Chris Blake-Turner

Summary: Selections from the Analects of Kongzi (Confucius), a foundational text in Chinese philosophy. It is split into twenty books recounting things that the Master (Kongzi) and his disciples said and did. Much of the rest of Chinese philosophy owes a debt, more or less explicit, to this work. Kongzi seeks the cultivation of virtue through ritual, so that worthy persons will occupy positions of power and influence. Society will thereby return to some of the splendor of the bygone ages of the legendary Three Sovereigns and Five Emperors, as well as the more recent Xia, Shang, and Western Zhou dynasties.

Comment: The selections are best read in their entirety, as the work is holistic and difficult to interpret piecemeal. (So reading the whole text is better still!) It's helpful to stress Kongzi's particularism, as this makes sense of seemingly contradictory pronouncements he makes in different contexts. But if you're looking to incorporate some Classical Chinese philosophy in a course without space for the whole thing, the selections from Book One include many key Confucian themes: ritual, the ideal of a junzi or gentleman, virtue, filial piety, and the appeal to tradition. Either way, it's probably wise to give students some historical context to help understand the appeal of harking back to older traditions.

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Olberding, Amy. Confucius’ Complaints and the Analects’ Account of the Good Life
2013, Dao: A Journal of Comparative Philosophy 12 (4):417-440.

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Added by: Simon Fokt, Contributed by: Ian James Kidd

Abstract: The Analects appears to offer two bodies of testimony regarding the felt, experiential qualities of leading a life of virtue. In its ostensible record of Confucius' more abstract and reflective claims, the text appears to suggest that virtue has considerable power to afford joy and insulate from sorrow. In the text's inclusion of Confucius' less studied and apparently more spontaneous remarks, however, he appears sometimes to complain of the life he leads, to feel its sorrows, and to possess some despair. Where we attend to both of these elements of the text, a tension emerges. In this essay, I consider how Confucius' complaints appear to complicate any clean conclusion that Confucius wins a good life, particularly where we attend to important pre-theoretical sensibilities regarding what a 'good life' ought to include and how it ought to feel for the one who leads it.

Comment: A rich text that explains the role of complaints - and, more broadly, disappointment, regret, and sadness - in the moral life. Especially good for challenging the idea that the moral life will insulate a person from such negative affects. Also points out the tendency of some moral philosophers to downplay certain aspects of human beings when constructing their ideals.

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Wee, Cecilia. Xin, Trust, and Confucius’ Ethics
2011, Philosophy East and West, 61 (3): 516-533.

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Added by: Simon Fokt, Contributed by: Ian James Kidd

Abstract: Confucius frequently employs the term xin 信 in the Analects. The frequency of his usage suggests that xin has a significant place within his ethics. The main aim of this article is to offer an account of the roles played by xin within Confucius' ethics. To have a clear understanding of these roles, however, one needs first to understand what Confucius encompasses within his notion of xin. The article begins by delineating the Confucian conception of xin, as presented in the Analects. The notion of xin is often taken to be isomorphic with the notion of trust. I argue that Confucius' notion of xin does not quite map onto the notion of trust as usually understood in contemporary Western contexts. To understand better what Confucian xin amounts to, I compare and contrast the Confucian conception of xin with contemporary Western accounts of trust by Baier, McLeod, and Mullin. This comparison helps elucidate what xin is as well as how xin relates to morality. With this in hand, the roles that Confucius ascribes to xin in social and political contexts are then delineated.

Comment: Clear discussion of Confucian conceptions of trustworthiness and trust and their roles in the moral life. Useful for those who want to do comparative work with Chinese philosophy.

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Chong, Kim-Chong. The Concept of Zhen 真 in the Zhuangzi
2011, Philosophy East and West 61(2): 324-346.

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Added by: Simon Fokt, Contributed by: Ian James Kidd

Abstract: The term zhen in the Zhuangzi is commonly associated with the zhen ren or the "true person," who is described, for example, as capable of going through fire and water unharmed. Some scholars take this as typifying a mystical element in the Zhuangzi. This essay investigates the various meanings and uses of zhen in the Zhuangzi and reaches a broader understanding of the zhen ren in various contexts.

Comment: Excellent on the concept of 'zhen' (authenticity, naturalness) in Daoism. Long but clearly written. Very useful for explaining the character of Daoist ethics.

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Rošker, Jana S.. Classical Chinese Logic
2015, Philosophy Compass, 10(5): 301-309.

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Added by: Chris Blake-Turner

Abstract: The present article provides an introduction to classical Chinese logic, a term which refers to ancient discourses that were developed before the arrival of significant external influences and which flourished in China until the first unification of China, during the Qin Dynasty. Taking as its premise that logic implies both universal and culturally conditioned elements, the author describes the historical background of Chinese logic, the main schools of Chinese logical thought, the current state of research in this area and the crucial concepts and methods applied in classical Chinese logic. The close link between Chinese logic and the Chinese language is also stressed

Comment: Presupposes some familiarity with Aristotelian and Fregean logic, as well as ideas in analytic philosophy of language (e.g., theories of reference). This would be a good piece for countering the prejudice that nothing worthy of being called logic was done in the classical Chinese tradition. It is also a good piece for expanding students' imaginative horizons and showing them how their ideas of what logic is have been culturally shaped.

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Deng, Natalja. Religion for Naturalists
2015, International Journal for Philosophy of Religion 78(2): 195-214.

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Added by: Emily Paul

Abstract: Some naturalists feel an affinity with some religions, or with a particular religion. They may have previously belonged to it, and/or been raised in it, and/or be close to people who belong to it, and/or simply feel attracted to its practices, texts and traditions. This raises the question of whether and to what extent a naturalist can lead the life of a religious believer. The sparse literature on this topic focuses on (a position recognizable as) religious fictionalism. I also frame the debate in these terms. I ask what religious fictionalism might amount to, reject some possible versions of it and endorse a different one. I then examine the existing proposals, by Robin Le Poidevin, Peter Lipton, Andrew Eshleman and Howard Wettstein, and show that even on my version of religious fictionalism, much of what has been described by these authors is still possible.

Comment: Could be very useful for a Philosophy of Religion course where atheism and agnosticism have already been explored, to provide an interesting alternative. I’ve seen religious fictionalism work as a stimulating topic for students, but only if the paper is clear and accessible – like this one.

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Liao, Shen-yi, Gendler, Tamar Szabó. Pretense and Imagination
2011, Wiley Interdisciplinary Reviews 2 (1):79-94.

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Added by: Andrea Blomqvist

Abstract: Issues of pretense and imagination are of central interest to philosophers, psychologists, and researchers in allied fields. In this entry, we provide a roadmap of some of the central themes around which discussion has been focused. We begin with an overview of pretense, imagination, and the relationship between them. We then shift our attention to the four specific topics where the disciplines' research programs have intersected or where additional interactions could prove mutually beneficial: the psychological underpinnings of performing pretense and of recognizing pretense, the cognitive capacities involved in imaginative engagement with fictions, and the real-world impact of make-believe. In the final section, we discuss more briefly a number of other mental activities that arguably involve imagining, including counterfactual reasoning, delusions, and dreaming.

Comment: Imagination and pretense are closely related concepts. This article could be used in teaching to get students thinking about the relationship, as well as introduce them to the vast psychological research that has been done on pretense play.

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Author(s) Unknown. Yue Ji 樂記—Record of Music: Introduction, Translation, Notes, and Commentary
1995, Asian Music 26(2): 1-96.

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Added by: Meilin Chinn

Summary: The earliest extant Chinese treatise on music. The Yue Ji presents largely Confucian ideas on the connections between music, self-cultivation, proper governance, and the realization of natural patterns. Human character is described as a musical progression with ties to the transformation of sound into a kind of music that is distinguished by its relationship to virtue. The exact identity of the author(s) is debated, and it is believed to have been compiled from various sources no later than the middle of the Western Han dynasty (206BCE-24CE).

Comment: This text is appropriate for an aesthetics (especially philosophy of music) and/or Chinese philosophy course. It is best accessed by a reader with a basic understanding of early Chinese philosophy (especially Confucianism).

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Peng Feng. Li Yu’s Theory of Drama: A Moderate Moralism
2016, Philosophy East and West 66(1): 73-91.

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Added by: Meilin Chinn

Abstract: This essay presents an interpretation of Li Yu’s theory of drama that takes it to be a moderate moralism that is different from Confucian radical moralism, Daoist radical autonomism, and the moderate autonomism of fiction. In addition to practical considerations, Li Yu’s moderate moralism of drama is based on his awareness of the ontological difference between drama and music, poetry, and fiction. Drama was seen by Li Yu as a synthetic art that includes music, poetry, and fiction. If radical autonomism is appropriate for the evaluation of music, radical moralism for poetry and prose, and moderate autonomism for fiction, then moderate moralism would be most appropriate in the evaluation of drama.

Comment: Peng gives an account of the development of Chinese drama according to a contrast between Confucian moralism, in which morality controls aesthetics, and Daoist autonomism, in which aesthetics are autonomous from morality. He argues for an understanding of Li Yu’s theory of drama as a moderate moralism that evaluates drama according to a possible, yet contingent and unnecessary relation between moral and aesthetic virtue. This text is appropriate for a course on aesthetics and/or Chinese philosophy. It is particularly useful in discussions of the relationship between ethics and aesthetics.

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