Diversity Reading List

Abstract: I give an analysis of how empirical terms do their work in communication and the gathering of knowledge that is fully externalist and that covers the full range of empirical terms. It rests on claims about ontology. A result is that armchair analysis fails as a tool for examining meanings of 'basic' empirical terms because their meanings are not determined by common methods or criteria of application passed from old to new users, by conventionally determined 'intensions'. Nor do methods of application used by individual speakers constitute definitive reference-determining intensions for their idiolect terms or associated concepts. Conventional intensions of non-basic empirical terms ultimately rest on basic empirical concepts, so no empirical meaning is found merely 'in the head'. I discuss the nature of lexical definition, why empirical meanings cannot ultimately be modelled as functions from possible worlds to extensions, and traps into which armchair analysis of meaning can lead us. A coda explains how 'Swampman' examples, as used against teleosemantic theories of content, illustrate such traps

Abstract: Brentano was surely mistaken, however, in thinking that bearing a relation to something nonexistent marks only the mental. Given any sort of purpose, it might not get fulfilled, hence might exhibit Brentano's relation, and there are many natural purposes, such as the purpose of one's stomach to digest food or the purpose of one's protective eye blink reflex to keep out the sand, that are not mental, nor derived from anything mental. Nor are stomachs and reflexes "of" or"about" anything. A reply might be, I suppose, that natural purposes are "purposes" only in an analogical sense hence "fail to be fulfilled" only in an analogical way. They bear an analogy to things that have been intentionally designed by purposive minds, hence can fail to accomplish the purposes they analogically have. As such they also have only analogical "intentionality". Such a response begs the question, however, for it assumes that natural purposes are not purposes in the full sense exactly because they are not

Abstract: Concepts are highly theoretical entities. One cannot study them empirically without committing oneself to substantial preliminary assumptions. Among the competing theories of concepts and categorization developed by psychologists in the last thirty years, the implicit theoretical assumption that what falls under a concept is determined by description () has never been seriously challenged. I present a nondescriptionist theory of our most basic concepts, which include (1) stuffs (gold, milk), (2) real kinds (cat, chair), and (3) individuals (Mama, Bill Clinton, the Empire State Building). On the basis of something important that all three have in common, our earliest and most basic concepts of substances are identical in structure. The membership of the category like that of is a natural unit in nature, to which the concept does something like pointing, and continues to point despite large changes in the properties the thinker represents the unit as having. For example, large changes can occur in the way a child identifies cats and the things it is willing to call without affecting the extension of its word The difficulty is to cash in the metaphor of in this context. Having substance concepts need not depend on knowing words, but language interacts with substance concepts, completely transforming the conceptual repertoire. I will discuss how public language plays a crucial role in both the acquisition of substance concepts and their completed structure

Publisher's Note: Beginning with a general theory of function applied to body organs, behaviors, customs, and both inner and outer representations, Ruth Millikan argues that the intentionality of language can be described without reference to speaker intentions and that an understanding of the intentionality of thought can and should be divorced from the problem of understanding consciousness. The results support a realist theory of truth and of universals, and open the way for a nonfoundationalist and nonholistic approach to epistemology.

Abstract: It is a live possibility that certain of our experiences reliably misrepresent the world around us. I argue that tracking theories of mental representation have difficulty allowing for this possibility, and that this is a major consideration against them

Abstract: In this paper, we examine the scientific, legal, and ethical foundations for inclusion of transgender women athletes in competitive sport, drawing on IOC principles and relevant Court of Arbitration for Sport decisions. We argue that the inclusion of transathletes in competition commensurate with their legal gender is the most consistent position with these principles of fair and equitable sport. Biological restrictions, such as endogenous testosterone limits, are not consistent with IOC and CAS principles. We explore the implications for recognizing that endogenous testosterone values are a natural physical trait and that excluding legally recognized women for high endogenous testosterone values constitutes discrimination on the basis of a natural physical trait. We suggest that the justificatory burden for such prima facie discrimination is unlikely to be met. Thus, in place of a limit on endogenous testosterone for women (whether cisgender, transgender, or intersex), we argue that legally recognized gender is most fully in line with IOC and CAS principles.

Abstract: It seemed like only minutes after a team of Scottish scientists announced, in late February 1997, that they had successfully cloned a sheep, that governmental officials and private citizens throughout the world called for a ban on cloning human beings. The rush to legislate or issue executive orders was so swift, it is reasonable to wonder why the news that a mammal had been cloned ignited such a stampede to prohibit, even criminalize, attempts to clone humans. These events raise a series of separate, yet related questions. Why does the prospect of cloning human beings incite such strong reactions? What reasons have been proposed for enacting national laws or international conventions to prohibit cloning? Can these prohibitions be justified by sound ethical arguments? Before attempting to answer these questions, let us look first at the responses that called for public policy measures to ban human cloning.

Abstract: More than half a century after the Universal Declaration of Human Rights defined what a human being is and is entitled to, Catharine MacKinnon asks: Are women human yet? If women were regarded as human, would they be sold into sexual slavery worldwide; veiled, silenced, and imprisoned in homes; bred, and worked as menials for little or no pay; stoned for sex outside marriage or burned within it; mutilated genitally, impoverished economically, and mired in illiteracy--all as a matter of course and without effective recourse?

Abstract: FEW hold "A poem should not mean, but be" as dogma any longer, but most aestheticians agree that a work of art cannot be exhaustively paraphrased. Few dispute that the aesthetic ex- perience is, in some sense, disinterested, but the terms of that disinterestedness are still debated. I suggest that the work of art and the aesthetic experience are congruent and that an analysis of this congruence reveals both the nature of the import of art and the character of the aesthetic experience. I found my analysis on a faculty framework because I am convinced that neither the aesthetic experience nor the import of art can be illuminated without a fairly rigorous epistemology in which the roles of the imagination and the understanding are clearly defined. My framework is avowedly Kantian, for I think that the very incommensurability of the imagination and the un- derstanding, as emphasized by Kant, does more justice to the phenomenology of the aesthetic experience than an analysis of the cognitive faculties that stresses a difference in degree rather than kind.

Abstract: Now THAT THE NEW essentialism is forcing us to reconsider many issues in diverse areas of philosophy, it is appropriate to examine some of the implications of Saul Kripke's work for aesthetics. I shall be focusing on Kripke's "Naming and Necessity." 1 On Kripke's account, the table in my dining room could not have been made out of any other wood than the wood that was, in fact, actually used to make it. It is not merely that this particular kind of wood must have been used, namely oak, but this very piece, otherwise it would not be this particular table. I intend to show how Kripke's line of argument applies to a work of art and to draw the consequences of it for aesthetics. If we do not want to accept these consequences, then we will be forced into a ra- tional reconstruction of the identity issue. My application of Kripke's position is con- fined to painting and sculpture and turns for its example on Michelangelo's David. (Whether or not or how Kripke's analysis and our conclusions can be extended to the other arts is outside the scope of this paper.) Let me be clear about strategy. Through- out I assume without argument Kripke's position. I also assume and, in fact hold, again without argument, that the David is a physical entity. When the consequences of CATHERINE LORD is professor of philosophy at Syra- cuse University. the Kripkean analysis are explored, I engage in a descriptive metaphysics and assume these to be the facts. There is no waffling on the assumption that the David is a physical object. When the consequences of the Kripkean analysis are applied to that assumption, we may not wish to accept them. At that point I engage in a rational reconstruction. The descriptive metaphysics and the rational reconstruction or revisionary meta- physics must not be confused. Following Kripke's analysis, I shall show how it is that Michelangelo could not have made his David out of a different block of marble than the block which he actually used. Since this is counter-intuitive, we may want to protest as follows. Let us pretend that Michelangelo walks into his studio. There are two blocks of marble before him, block A and block B. As the sculptor de- liberates as to which block he will use, he has the work of art in his mind. In fact he has before his mind a perfect image, complete in every detail, of the statue which will result from his efforts. (Here I am not com- mitted to any particular theory of the imagination - one could be Rylean. On any account I see no logical difficulty in supposing that Michelangelo knew exactly what he wanted to do, that he had a representation vivid in every detail of what he would later execute.) We may say, then, that Michelangelo's intention, and I emphasize the word, intention, was to embody a certain idea in matter perhaps even a certain kind of matter, marble, and even perhaps a certain kind of marble. (Again, in speaking of embodying a certain idea, I should not be taken as prejudicing the case in favor of or against any theory of aesthetics.) After examining block A and block B and finding nothing to choose between them, Michelangelo chose block A. Now as far as Michelangelo's intention was concerned it could have been realized in block B. His intention was to create a definite statue which he envisioned in every detail. Accordingly, we seem bound to say that the David might just as readily have been made out of block B as block A. On a Kripkean analysis that is not the case. Had Michelangelo chosen to embody his idea in block B, an entity different from the David would have resulted. It would have looked exactly as the David does in fact look. It might, indeed, have weighed the same amount, etc., but it would not have been identical to the entity to which the David is identical. It would certainly have been a David. ". . . is a David" is a general term which is true of many statues; "the David," as I am using the expression, is a singular term referring to only one. Al- though there is a possible world in which Michelangelo embodies his idea in block B and in which the resulting sculpture comes to be put in the Academia in Florence and even to be enjoyed in precisely the same way as we do in fact enjoy the David, the object of our attention in that possible world is not to be identified with the entity in the Academia, i.e., with the David we ac- tually do enjoy. To grasp Kripke's central contention, let us consider it in its most dramatic formula- tion where he argues that Socrates could not possibly have come from different parents. More precisely, Kripke is willing to allow that the sperm and egg from which Socrates came might possibly have been transplanted from the bodies of his mother and father to the bodies of a different man and woman. Had such a transplantation taken place, Socrates might well have come from differ- ent parents, as the term is ordinarily under- stood. The key issue can be brought out as follows. Suppose that Socrates' parents had died in an earthquake in their early youth at a time before they first met. There is such a possible world. Now suppose that some other Athenian couple gave birth to a son on the precise date on which Socrates, our Socrates, was born. Suppose that this son was snub-nosed like Socrates, indeed looked exactly like him at every stage of his life. We may even suppose that his per- sonality, his genetic make-up, etc. was the same as our Socrates. We can imagine his living a life from birth to death just like the life Socrates lived, even becoming the teacher of Plato and being given the hem- lock. Would that person have been our Socrates? The answer for Kripke is No. Somewhere in outer space there may now, in fact, be a double of Gerald Ford. He may live on a planet qualitatively indistin- guishable in every respect down to the last detail from the planet Earth. He may even be president of a country exactly like ours, etc., but he would not be Gerald Ford even though his name may be "Gerald Ford." Qualitative similarity cannot suffice to es- tablish identity. To return to the table in my dining room, in traditional Aristotelian terms, Kripke in- sists that essential to the table is both its form and its matter, its being a table, on the one hand, and its being made of the very wood it is indeed made of, on the other. Supposing Michelangelo had chosen block B instead of block A for embodying his idea. Suppose also that Leonardo da Vinci had stepped into his studio and absconded with block A.2 Suppose that by some extraordi- nary coincidence Michelangelo and Leo- nardo, working separately, each produced a statue qualitatively indistinguishable from the David which is in the Academia. Which of the two works, that of Michelangelo or that of Leonardo would be the David, Michelangelo's made out of block B or Leo- nardo's made out of block A? Take a simpler case. Suppose that Michelangelo had worked on both blocks of marble and produced two qualitatively indistinguish- able statues. Let the one made from block A find its way to the Uffizi or the Louvre and the one made from block B find its way to the Academia (perhaps in the manner of Kripkean Approach To Identity of Art Work those statues of Daedelus). There is no logical reason why our David should have found its way to the Academia. There is, however, a necessity - an onto- logical necessity - that the David should have been made out of block A, though the truth of the sentence, "The David was made out of block A," cannot be established on the basis of a purely a priori reflection. We have here, then, a necessary a posteriori proposition. And it is the a posteriori char- acter of the proposition that encourages one to suppose that we could have discovered that the David was made out of granite. If we discover that the David is made out of granite, not marble, then we have dis- covered that the David is necessarily made out of granite. This is merely an epistemic possibility. We could even now, in a scepti- cal frame of mind, say that as far as we know David might in fact have been made out of granite. But since, in fact, the David is made out of marble and made from block A, in all possible worlds it is made of marble and from block A. There is no ontologically possible world in which we discover it to be made of granite or out of block B.