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Added by: Clotilde Torregrossa, Contributed by: Christy Mag Uidhir
Introduction: This essay will explore the role that the aesthetic-nonaesthetic distinction plays in assessing activist art by women and artists of color. First, I shall review one traditional line of philosophical thought and show how it serves as the foundation for three types of reasons typically given for artworks reputed to lack aesthetic value. I develop two of the three reasons by examining the recent writings opposed to the aesthetic value of activist art by well-known art critic Donald Kuspit, pointing out his aberrant use of 'obscene'. Kuspit's examples of activist art - the work of Jenny Holzer, Barbara Kruger, and Adrian Piper - are presented in light of his charges. I then explore Piper's art in depth in order to outline ways of expanding the notion of aesthetic value beyond its traditional confines. Finally, I suggest moving beyond entrenched, traditional patterns of assessment and invite underrepresented voices to contribute to the emerging discussion of the multiplicity of aesthetic values.Battersby, Christine. Gender and Genius: Towards a Feminist Aesthetics1989, Indiana University Press.-
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Publisher's Note: During the Middle Ages and the Renaissance, women were blamed for having too much passion, imagination and sexual appetite. By the late eighteenth century, however, these qualities had been revalued and appropriated for male artists. The virtues attributed to the Romantic"genius" made him like a woman but not a woman. He belonged to a third, supermale sex. As new and old concepts of woman and genius clashed, there evolved a rhetoric of sexual apartheid which today still affects our perceptions of cultural achievement. Genius from the time of the Greeks has been defined as male. In this study, Christine Battersby traces the history of the concept of genius from ancient Rome to the present day, showing how pagan myths linking divinity with male procreativity have survived into our own time. The author explores the dilemma faced by female creators who have resisted the idea that Art requires "feminine" qualities of mind but male sexual energies. GENDER AND GENIUS argues, against those currently seeking to establish an aesthetics of the "feminine," that a feminist aesthetics must look to the achievements of women artists in the past as well as in the present.Comment:
Atherton, Margaret. Women Philosophers of the Early Modern Period1994, Hackett Publishing Company.-
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Added by: Chris Blake-Turner, Contributed by: Bart Schultz
Publisher's Note: An important selection from the largely unknown writings of women philosophers of the early modern period. Each selection is prefaced by a headnote giving a biographical account of its author and setting the piece in historical context. Atherton's Introduction provides a solid framework for assessing these works and their place in modern philosophy.Comment: Wonderful collection of selections by early modern women philosophers.
Appiah, Kwame Anthony. Akan and Euro-American Concepts of the Person2004, In Lee M. Brown (ed.), African Philosophy: New and Traditional Perspectives. Oxford University.-
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Added by: Chris Blake-Turner, Contributed by: Simon Fokt
Abstract: This essay explores the theories of the person within Western and Akan traditions. It identifies six obstacles to theory comparison. It argues that there may be no non-question begging way of comparing theories since these theories themselves play key roles in understanding how each is to be used.
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Anderson, Pamela Sue. Feminist Challenges to Conceptions of God: Exploring Divine Ideals2007, Philosophia 35 (3-4):361-370.-
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Added by: Clotilde Torregrossa
Abstract: This paper presents a feminist intervention into debates concerning the relation between human subjects and a divine ideal. I turn to what Irigarayan feminists challenge as a masculine conception of the God's eye view of reality. This ideal functions not only in philosophy of religion, but in ethics, politics, epistemology and philosophy of science: it is given various names from a competent judge to an ideal observer (IO) whose view is either from nowhere or everywhere. The question is whether, as Taliaferro contends, my own philosophical argument inevitably appeals to the impartiality and omni-attributes of the IO. This paper was delivered during the APA Pacific 2007 Mini-Conference on Models of God.Comment:
Anderson, Luvell, Lepore, Ernest (Ernie). Slurring Words2013, Noûs 47 (1):25-48-
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Added by: Clotilde Torregrossa, Contributed by: Thomas Hodgson
Abstract: Increasingly philosophers (and linguists) are turning their attention to slurs - a lexical category not much explored in the past. These are expressions that target groups on the basis of race ('nigger'), nationality ('kraut'), religion ('kike'), gender ('bitch'), sexual orientation ('fag'), immigrant status ('wetback') and sundry other demographics. Slurs of a racial and ethnic variety have become particularly important not only for the sake of theorizing about their linguistic distribution adequately but also for the implications their usage has on other well?worn areas of interest. In 'Reference, Inference, and The Semantics of Pejoratives,'Timothy Williamson discusses the merits of Inferentialism by looking at Dummett's treatment of the slur 'boche.'Mark Richard attempts to show that, contrary to a commitment to minimalism about truth, one is not conceptually confused in holding that slurring statements are not truth?apt discursive discourses, i.e. statements that are neither true nor false, but still represent the world to be a certain way. Others, like David Kaplan, argue that slurs force us to expand our very conception of meaning. Slurs also rub up against various other issues like descriptivism versus expressivism as well as the semantic/pragmatic divide (cf. Potts). Slurs' effects on these issues make it difficult to ignore them and still give an adequate theory of language. In this paper, we will be particularly interested in the potential slurs carry to offend. Though xenophobes are not offended by slurs, others are - with some slurs more offensive than others.2 Calling an Asian businessman 'suit' will not rouse the same reaction as calling him 'chink'. Even co?extensive slurs vary in intensity of contempt. Christopher Darden once branded 'nigger' the 'filthiest, dirtiest, nastiest word in the English language' (Kennedy, p. 23); we doubt anyone reacts as such to 'negro,' yet it too has become a slur. How can words fluctuate both in their status as slurs and in their power to offend? Targeted members themselves are not always offended by confrontations with slurs, for example, so?called appropriated or reclaimed uses (the camaraderie use of 'nigger' among African?Americans and 'queer' among homosexuals). These various data focus our investigation around three questions: Why are some confrontations with slurs offensive? Why do some impact audiences more forcefully than others? How do targeted members sometimes succeed in mollifying them? The consensus answer to the first question is that slurs, as a matter of convention, carry negative attitudes towards targeted groups. Since we know so much about how words communicate content, a brief canvass and evaluation of available explanatory alternatives is appropriate; in particular, do slurs offend audiences because of what they semantically express, presuppose, linguistically display (but not describe), or conventionally implicate? Or are their effects determined by negative tone - i.e. the subjective images they summon? These strategies - whether semantic and not - are committed to the view that slurs (or their uses) get across offensive content; they disagree only over the mechanism of implementation. Our overarching aim in this paper is to deflate all content?strategies: each, no matter how it is conceived, we will argue, is irrelevant to an understanding of how slurs function and why they offend. Our positive proposal, in brief, is that slurs are prohibited words not on account of any content they get across, but rather because of relevant edicts surrounding their prohibition. This raises more than a few pertinent questions we will address below, including how words become prohibited, what's the relationship between their prohibition and their offense potential, and why is it sometimes appropriate to flout such prohibitions?Comment:
Alcoff, Linda Martin. Visible Identities: Race, Gender, and the Self2006, Oxford University Press.-
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Added by: Clotilde Torregrossa
Publisher's Note: Visible Identities critiques the critiques of identity and of identity politics and argues that identities are real but not necessarily a political problem. Moreover, the book explores the material infrastructure of gendered identity, the experimental aspects of racial subjectivity for both whites and non-whites, and in several chapters looks specifically at Latio identity.Comment:
Alcoff, Linda Martin. On Judging Epistemic Credibility: Is Social Identity Relevant?2000, In Naomi Zack (ed.), Women of Color and Philosophy: A Critical Reader. Wiley-Blackwell. pp. 235-262.-
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Added by: Clotilde Torregrossa
Abstract: In assessing the likely credibility of a claim or judgment, is it ever relevant to take into account the social identity of the person who has made the claim? There are strong reasons, political and otherwise, to argue against the epistemic relevance of social identity. However, there are instances where social identity might be deemed relevant, such as in determinations of criminal culpability where a relatively small amount of evidence is the only basis for the decision and where social prejudices can play a role in inductive reasoning. This paper explores these issues.Comment:
Tanesini, Alessandra. An introduction to Feminist Epistemologies1998, Wiley-Blackwell-
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Added by: Giada Fratantonio
Publisher's Note: Could gender, race, and sexuality be relevant to knowledge? Although their positions and arguments differ in several respects, feminists have asserted that science, knowledge, and rationality cannot be severed from their social, political, and cultural aspects. This book presents a comprehensive introduction to feminist epistemologies situated at the intersection of philosophical, sociological, and cultural investigations of knowledge. It provides several critiques of more traditional approaches, and explores the alternatives proposed by feminists. In particular, this book contains extensive discussions of topics such as objectivity, rationality, power, and subject. Drawing on a variety of sources, the author also argues that when knowledge is conceived in terms of practices, it becomes possible to see it as normative and socially constituted."
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Srinivasan, Amia. Feminism and Metaethics2016, in Mcpherson, Tristram and Plunkett, David (eds.), Routledge Handbook of Metaethics, Routledge 2016-
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Added by: Giada Fratantonio
Abstract: Feminism is first and foremost a political project: a project aimed at the liberation of women and the destruction of patriarchy. This project does not have a particular metaethics; there is no feminist consensus, for example, on the epistemology of moral belief or the metaphysics of moral truth. But the work of feminist philosophers - that is, philosophers who identify with the political project of feminism, and moreover see that political project as informing their philosophical work - raises significant metaethical questions: about the need to rehabilitate traditional moral philosophy, about the extent to which political and moral considerations can play a role in philosophical theorizing, and about the importance of rival metaethical conceptions for first-order political practice. I discuss some of the contributions that feminist philosophy makes to each of these questions in turn. I hope to call attention to the way in which feminist thought bears on traditional topics in metaethics (particularly moral epistemology and ethical methodology) but also to how feminist thought might inform metaethical practice itself.Comment: The author discusses some contributions that feminist philosophy can make to some questions on metaethics. Can be used for a course on feminism.
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Brand, Peg Zeglin. Revising the Aesthetic-Nonaesthetic Distinction: The Aesthetic Value of Activist Art
2010, In Peg Zeglin Brand & Carolyn Korsmeyer (eds.), Feminism and Tradition in Aesthetics. Penn State Press.
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