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Added by: Emily Paul
Abstract: Feminists have challenged the claim that gender is irrelevant to the discussion of evil and suffering in the world. This chapter considers a range of approaches offered by feminists to the problem of evil, suggesting something of the innovation that considering gender issues bring to the discussion of evil. In describing a variety of feminist perspectives, I intend to highlight the way in which feminist theories invariably turn to the practical solutions that might be made to evil and suffering in our world.Deng, Natalja. Religion for Naturalists2015, International Journal for Philosophy of Religion 78(2): 195-214.-
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Added by: Emily Paul
Abstract: Some naturalists feel an affinity with some religions, or with a particular religion. They may have previously belonged to it, and/or been raised in it, and/or be close to people who belong to it, and/or simply feel attracted to its practices, texts and traditions. This raises the question of whether and to what extent a naturalist can lead the life of a religious believer. The sparse literature on this topic focuses on (a position recognizable as) religious fictionalism. I also frame the debate in these terms. I ask what religious fictionalism might amount to, reject some possible versions of it and endorse a different one. I then examine the existing proposals, by Robin Le Poidevin, Peter Lipton, Andrew Eshleman and Howard Wettstein, and show that even on my version of religious fictionalism, much of what has been described by these authors is still possible.Comment: Could be very useful for a Philosophy of Religion course where atheism and agnosticism have already been explored, to provide an interesting alternative. I’ve seen religious fictionalism work as a stimulating topic for students, but only if the paper is clear and accessible – like this one.
Van Dyke, Christina. Mysticism2010, In R. Pasnau and Christina Van Dyke (eds.) The Cambridge History of Medieval Philosophy. Cambridge: Cambridge University Press. pp. 720-734.-
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Added by: Francesca Bruno
Summary: This article offers an accessible overview of Medieval mysticism (12th-15th c, within the Christian tradition). It examines how two traditions of mysticism, e.g. the apophatic and affective traditions, intersect with a number of topics of medieval philosophical interest, including the relative importance of intellect and will, and the role of contemplation and activity in the good life.Comment: This article offers an accessible overview of Medieval mysticism (12th-15th c, within the Christian tradition). It is a good background reference for those interested in teaching Medieval women philosophers, many of whom were mystics.
Chan, Rebecca. Religious Experience, Voluntarist Reasons, and the Transformative Experience Puzzle2016, Res Philosophica 93 (1):269-287 (2016)-
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Added by: Andrea Blomqvist
Abstract: Transformative experiences are epistemically and personally transformative: prior to having the experience, agents cannot predict the value of the experience and cannot anticipate how it will change their core values and preferences. Paul argues that these experiences pose a puzzle for standard decision-making procedures because values cannot be assigned to outcomes involving transformative experience. Responding philosophers are quick to point out that decision procedures are built to handle uncertainty, including the uncertainty generated by transformative experience. My paper enters here and contributes two points. First, religious experiences are transformative experiences that are especially resistant to these responses. Second, a procedure that appeals to voluntarist reasons - reasons arising from an act of the will - can allow an agent to rationally decide to undergo or avoid an outcome involving transformative experience. Combining these two points results in some interesting implications with respect to practical aspects of religion.Comment: This text could be used as a further reading in a week focusing on transformative experiences. It would be most suitable for a third year module, but could also work in lower years.
Wang Bi. Clarifying the Images (Ming xiang)2004, In Richard John Lynn (ed.). The Classic of Changes: A New Translation of the I Ching as Interpreted by Wang Bi.-
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Added by: Meilin Chinn
Summary: From Wang Bi’s (226-249) seminal commentary on the Yi Jing (I Ching) or Classic of Changes. Bi catalogues and explains the relationship between images, ideas, language, and meaning. A key text that continues to be of importance in Chinese aesthetics, philosophy of language, and hermeneutics.Comment: This text requires a basic understanding of early Chinese philosophy. It would be appropriate in an advanced undergraduate or graduate seminar on Chinese philosophy and/or aesthetics.
Related reading:
- Ch. 26 of the Zhuangzi in Chuang-Tzu: The Inner Chapters. A.C. Graham, trans. Indianapolis, Hackett Publishing Company, Inc., 2001.
Related reading:
- Ch. 26 of the Zhuangzi in Chuang-Tzu: The Inner Chapters. A.C. Graham, trans. Indianapolis, Hackett Publishing Company, Inc., 2001.
Zeami Motokiyo. Zeami: Performance Notes2008, New York: Columbia University Press-
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Added by: Meilin Chinn
Publisher's Note: Zeami (1363-1443), Japan's most celebrated actor and playwright, composed more than thirty of the finest plays of no drama. He also wrote a variety of texts on theater and performance that have, until now, been only partially available in English. Zeami: Performance Notes presents the full range of Zeami's critical thought on this subject, which focused on the aesthetic values of no and its antecedents, the techniques of playwriting, the place of allusion, the training of actors, the importance of patronage, and the relationship between performance and broader intellectual and critical concerns. Spanning over four decades, the texts reflect the essence of Zeami's instruction under his famous father, the actor Kannami, and the value of his long and challenging career in medieval Japanese theater. Tom Hare, who has conducted extensive studies of no academically and on stage, begins with a comprehensive introduction that discusses Zeami's critical importance in Japanese culture. He then incorporates essays on the performance of no in medieval Japan and the remarkable story of the transmission and reproduction of Zeami's manuscripts over the past six centuries. His eloquent translation is fully annotated and includes Zeami's diverse and exquisite anthology of dramatic songs, Five Sorts of Singing, presented both in English and in the original Japanese.Comment: A compilation of writings on performance by the Japanese playwright, actor, and aesthetician, Zeami Motoyiko. His work addresses the principles of nō theater, including dramatic imitation, music, and movement, as well as ideas from Japanese philosophical aesthetics such as yūgen (“dark” or “mysterious”). Zeami also maintains a focus throughout his writings on jo-ha-kyū, a style of movement found in many Japanese arts, including theater, tea ceremony, and martial arts. This text is best used in a course on aesthetics, especially theater and cross-cultural aesthetics.
Hsi K'ang. Music Has Neither Grief Nor Joy1983, In Philosophy and Argumentation in Third-Century China. Princeton: Princeton University Press-
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Added by: Meilin Chinn
Summary: The controversial essay in which Xi Kang offered a distinct counterargument to the orthodox Confucian view that music contains and transfers emotions between musicians and listeners. Xi Kang crafts a series of arguments against the presence of emotions and images in music and contends that the widespread belief to the contrary leads to the misuse of music for political and moral agendas.Comment: This text is best used in a course on aesthetics (especially philosophy of music) and/or Chinese philosophy. A basic understanding of Daoism is helpful.
Related reading:
- Essay on Music. Ruan Ji. In Reed Andrew Criddle's "Rectifying Lasciviousness through Mystical Learning: An Exposition and Translation of Ruan Ji’s Essay on Music." Asian Music 38(2), 2007.
Related reading:
- Essay on Music. Ruan Ji. In Reed Andrew Criddle's "Rectifying Lasciviousness through Mystical Learning: An Exposition and Translation of Ruan Ji’s Essay on Music." Asian Music 38(2), 2007.
Yoshida Kenkō. Essays in Idleness: The Tsurezuregusa of Kenkō1998, Columbia University Press.-
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Added by: Meilin Chinn
Publisher's Note: Despite the turbulent times in which he lived, the Buddhist priest Kenkō met the world with a measured eye. As Emperor Go-Daigo fended off a challenge from the usurping Hojo family, and Japan stood at the brink of a dark political era, Kenkō held fast to his Buddhist beliefs and took refuge in the pleasures of solitude. Written between 1330 and 1332, Essays in Idleness reflects the congenial priest's thoughts on a variety of subjects. His brief writings, some no more than a few sentences long and ranging in focus from politics and ethics to nature and mythology, mark the crystallization of a distinct Japanese principle: that beauty is to be celebrated, though it will ultimately perish. Through his appreciation of the world around him and his keen understanding of historical events, Kenkō conveys the essence of Buddhist philosophy and its subtle teachings for all readers. Insisting on the uncertainty of this world, Kenkō asks that we waste no time in following the way of Buddha. In this fresh edition, Donald Keene's critically acclaimed translation is joined by a new preface, in which Keene himself looks back at the ripples created by Kenkō's musings, especially for modern readers.Comment: The writings of Kenkō, a 14th century court poet turned Japanese Buddhist priest, reflecting on a wide range of ordinary and extraordinary subjects in the random style of zuihitsu (“follow the brush”) Japanese composition. His essays were highly influential on Japanese aesthetics, especially the value placed on impermanent, irregular, and imperfect beauty, and the place of understatedness in a turbulent world. This text is best accessed by a reader with a basic understanding of Japanese aesthetics and Buddhism.
Related reading:
- Robert E. Carter The Japanese Arts and Self-Cultivation. Albany: State University of New York Press, 2008.
Related reading:
- Robert E. Carter The Japanese Arts and Self-Cultivation. Albany: State University of New York Press, 2008.
Yuriko Saito. The Moral Dimension of Japanese Aesthetics2007, Journal of Aesthetics and Art Criticism 65(1): 85–97.-
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Added by: Meilin Chinn
Summary: Saito presents the moral dimension of Japanese aesthetics in terms of two design principles: respect for the quintessential, innate characteristics of things and honor and responsiveness to human needs. She analyzes the sensitivity to objects and people at work in a wide range of Japanese arts and crafts, including garden design, haiku, painting, pottery, and food, emphasizing that the cultivation of a moral attitude toward things is often practiced through aesthetic means.Comment: This text is appropriate for a course on Japanese aesthetics and/or philosophy. It would work well in a cross-cultural discussion of everyday aesthetics and the relationship between ethics and aesthetics.
Kuki Shūzō. The Structure of Iki2004, In Hiroshi Nara (ed.). The Structure of Detachment: The Aesthetic Vision of Kuki Sh?z?. Univeristy of Hawai'i Press.-
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Added by: Meilin Chinn
Summary: One of the most important and creative works in modern Japanese aesthetics. Kuki develops a description of a uniquely Japanese sense of taste (iki) that brings together characteristics of the geisha, samurai, and Buddhist priest.Comment: Best used by a reader with at least an introductory knowledge of Japanese aesthetics. Could be used comparatively with work on disinterest in western Aesthetics, e.g., Kant.
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Clack, Beverley. Feminism and the Problem of Evil
2014, in Justin P. McBrayer & Daniel Howard Snyder (eds.) The Blackwell Companion to the Problem of Evil (Wiley & Sons): 326-339.
Comment: Useful for an introduction to philosophy of religion course – especially after looking at traditional theodicies to get students re-thinking the whole framing of the problem of evil.