Abstract: In developing a Black feminist praxis, standpoint theory has provided one important source of analytical guidance and intellectual legitimation for African-American women. Standpoint theory argues that group location in hierarchical power relations produces shared challenges for individuals in those groups. These common challenges can foster similar angles of vision leading to a group knowledge or standpoint that in turn can influence the group’s political action. Stated differently, group standpoints are situated in unjust power relations, reflect those power relations, and help shape them. I suspect that one reason that the ideas of standpoint theory (in contrast to the vocabulary deployed by standpoint theorists, including the term standpoint theory itself ) resonate with African-American women’s experiences lies in the resemblance of stand- point theory to the norm of racial solidarity. Created in response to institutionalized racism and associated with Black nationalist responses to such oppression (see, e.g., Franklin 1992; Van Deburg 1992), racial solidarity within Black civil society requires that African-Americans stick together at all costs. The civil rights and Black Power movements certainly demonstrated the effectiveness of Black politics grounded in racial solidarity. In the former, racial solidarity among African-Americans lay at the center of a multiracial civil rights effort. In the latter, racial solidarity was expressed primarily through all-Black organizations. Collectively, these movements delivered tangible politi- cal and economic gains for African-Americans as a group (but not for all members within the group). Differences could be expressed within the boundaries of Blackness but not across those same boundaries. In this sense, the notion of a Black women’s standpoint gains meaning in the context of a shared Black consciousness dedicated to sustaining racial solidarity. Notions of racial solidarity and a shared Black women’s standpoint both invoke explicitly political objectives. Just as adhering to racial solidar- ity was important for Black emancipation in the United States, so might a collective Black women’s standpoint be seen as essential for Black feminist praxis. Since Black women, like African-Americans overall, are oppressed as a group, collective as com- pared to individualized strategies remain important. Much has happened since the 1970s. Depending on their placement in hierarchies of age, gender, economic class, region of the country, and sexuality, African-American women encounter new challenges associated with the new politics of containment in the United States. These changes require fresh ideas that analyze the complexities of contemporary lived Black experience and suggest adequate political responses to them. The intellectual climate currently housing Black feminist thought has also changed. In academic contexts influenced by postmodern rubrics of decentering, deconstruction, and difference, the norm of racial solidarity itself has come under increasing attack. Within Black cultural studies in particular, critiques now stress how racial solidarity has far too often been constructed on the bedrock of racial authenticity and essential- ism (see, e.g., Dyson 1993; West 1993; and Collins 1998c, 83), leading some to empha- size the pitfalls of unquestioned racial solidarity for African-American women (Grant 1982; Terrelonge 1984; Richie 1996). Academic feminism in North America takes aim at similar targets. Whereas Black academics question the utility of racial solidarity in addressing social issues of lived Black experience, feminist theorists increasingly criticize standpoint theory on theoretical grounds (Hekman 1997). Collectively, many Black and/or feminist academics question the assumptions that underlie solidarities of all sorts. This has great implication for Black feminist praxis generally, and a Black women’s standpoint situated in unjust power relations in particular. Given these shifting patterns, the situated standpoints that Black women collectively construct, and even the question of whether African-American women self-define as a group, become vitally important. In historical contexts in which racial segregation more visibly organized geographic, symbolic, and political space assigned to African- Americans, the links between a group’s common positionality in power relations, the shared experiences that accompanied this commonality, the mechanisms for con- structing group standpoints, and the significance of group standpoints for political activism were fairly straightforward. Under the changed conditions that accompany the new politics of containment, however, these links are neither clear nor assumed. Despite the historical significance of the ideas of standpoint theory to African- American women, questions remain concerning the efficacy of group-based identities of this sort for contemporary political struggles. In situations in which increasingly sophisticated practices, such as controlling populations through constant surveillance (Foucault 1979), as well as strategies of everyday racism (Essed 1991) and symbolic racism (Jhally and Lewis 1992), obscure the continued effects of institutionalized injus- tices of all sorts, political theories that seem to advocate pulling together and storming the factory gates can seem simplistic. Moreover, the decreasing effectiveness of an identity politics currently associated with standpoint theory raises questions of its continued relevance (see Collins 1998c, 44-76). Are group-based identities that emerge from standpoint theory and the politics they generate still empowering for African-American women? Do group-based identities such as those advocated by stand- point theory ultimately disempower African-American women because they unduly suppress differences and heterogeneity among Black women? Quite simply, in what ways, if any, does standpoint theory remain relevant for Black feminist thought?
Disinterestedness and political art
Abstract: Can an ordinary viewer ever experience art – particularly politically charged, socially relevant art – in a neutral, detached, and objective way? The familiar philosophical notion of disinterestedness has its roots in eighteenth century theories of taste and was refined throughout the twentieth century. In contrast, many contemporary theorists have argued for what I call an ‘interested approach’ in order to expand beyond the traditional emphasis on neutrality and universality. Each group, in effect, has argued for the value of a work of art by excluding the other’s approach. This essay will consider the legacy of the concept of disinterestedness for contemporary aesthetic theory in light of challenges posed by postmodern skepticism regarding the possibility of disinterestedness, and by the difficulties involved in appreciating political art with a disinterested attitude. My principal examples of political art will be drawn from feminist art. Unlike traditional philosophers, I will advocate that an interested stance toward art is, at times, inevitable and appropriate. I will so argue that not only feminist art- and by extension political art of all kinds – can be experienced disinterestedly, but that it should be. As a position inconsistent with both traditionalists and feminist critics of tradition, my recommendation of both disinterestedness and interestedness affords what I take to be the fullest and fairest experience of a work of art.
Race and Epistemologies of Ignorance
Publisher’s Note: Leading scholars explore how different forms of ignorance are produced and sustained, and the role they play in knowledge practices.
Justice, Gender, and the Politics of Multiculturalism
Publisher’s Note: Justice, Gender and the Politics of Multiculturalism explores the tensions that arise when culturally diverse democratic states pursue both justice for religious and cultural minorities and justice for women. Sarah Song provides a distinctive argument about the circumstances under which egalitarian justice requires special accommodations for cultural minorities while emphasizing the value of gender equality as an important limit on cultural accommodation. Drawing on detailed case studies of gendered cultural conflicts, including conflicts over the ‘cultural defense’ in criminal law, aboriginal membership rules and polygamy, Song offers a fresh perspective on multicultural politics by examining the role of intercultural interactions in shaping such conflicts. In particular, she demonstrates the different ways that majority institutions have reinforced gender inequality in minority communities and, in light of this, argues in favour of resolving gendered cultural dilemmas through intercultural democratic dialogue.
Women, Morality, and Fiction
Abstract: We apply Carol Gilligan’s distinction between a “male” mode of moral reasoning, focussed on justice, and a “female” mode, focussed on caring, to the reading of literature. Martha Nussbaum suggests that certain novels are works of moral philosophy. We argue that what Nussbaum sees as the special ethical contribution of such novels is in fact training in the stereotypically female mode of moral concern. We show this kind of training is appropriate to all readers of these novels, not just to women. Finally, we explore what else is involved in distinctively feminist readings of traditional novels
Reproducing Persons: Issues in Feminist Bioethics
Publisher’s Note: Controversies about abortion and women’s reproductive technologies often seem to reflect personal experience, religious commitment, or emotional response. Laura M. Purdy believes, however, that coherent ethical principles are implicit in these controversies and that feminist bioethics can help clarify the conflicts of interest which often figure in human reproduction. As she defines the underlying issues, Purdy emphasizes the importance of taking women’s interests fully into account. Reproducing Persons first explores the rights and duties connected with conception and pregnancy. Purdy asks whether conceiving a child or taking a pregnancy to term can ever be morally wrong. She challenges the thinking of those who feel the prospect of disability or serious genetic disease should not constrain conception or justify abortion. The essays next look at abortion from a variety of angles. One contends that killing fetuses is not murder; others emphasize the moral importance of access to abortion. Purdy considers the conflicting interests of women and men regarding abortion, and argues against requiring a husband’s consent. The book concludes with a consideration of new reproductive technologies and arrangements, including the controversial issue of surrogacy, or contract pregnancy. Throughout, Purdy combines traditional utilitarianism with some of the most powerful insights of contemporary feminist ethics. Her provocative essays create guidelines for approaching new topics and inspire fresh thinking about old ones.
Feminist implications of model-based science
Abstract: Recent philosophy of science has witnessed a shift in focus, in that significantly more consideration is given to how scientists employ models. Attending to the role of models in scientific practice leads to new questions about the representational roles of models, the purpose of idealizations, why multiple models are used for the same phenomenon, and many more besides. In this paper, I suggest that these themes resonate with central topics in feminist epistemology, in particular prominent versions of feminist empiricism, and that model-based science and feminist epistemology each has crucial resources to offer the other’s project.
The Pythagorean Women: Their History and Writings
Publisher’s Note: In Pythagorean Women, classical scholar Sarah B. Pomeroy discusses the groundbreaking principles that Pythagoras established for family life in Archaic Greece, such as constituting a single standard of sexual conduct for women and men. Among the Pythagoreans, women played an important role and participated actively in the philosophical life. While Pythagoras encouraged women to be submissive to men, his reasoning was based on the desire to preserve harmony in the home. Pythagorean Women provides English translations of all the earliest extant examples of literary Greek prose by Neopythagorean women, shedding light on their attitudes about marriage, the home, music, and the cosmos. Pomeroy sets the Pythagorean and Neopythagorean women vividly in their historical, ecological, and intellectual contexts, illustrated with original photographs of sites and artifacts known to these women.
The study of women in antiquity: Past, present, and future
Abstract: The publication of Arethusa 6 in 1973 inaugurated the serious study of women in antiquity in our time. Classics was one of many disciplines to begin developing a subfield of women’s studies in the early 1970s. Since then, has the study of women in antiquity become part of the “mainstream”? In order to answer this question I decided to examine articles and reviews published in current periodicals. I spent one day (October 1, 1990) skimming through the journals on display racks at the Ashmolean and Bodleian Libraries, assuming that they constituted a random sample. I looked at all the journals in Classics, Archaeology, and Ancient History that could conceivably have some material on women in antiquity. I checked only the titles listed in the main index of each journal; book reviews that were not listed in such an index were not noted. My criterion for including an article or review was that it could be of special value to someone teaching a specialised course or doing research on women in antiquity as well as to readers with a more casual interest in the subject. I do not claim any statistical significance for this survey. Nor is it intended to alert readers to a dearth of articles and reviews on ancient women in particular journals; for example, Arethusa frequently publishes work in this field, but I happened to examine a special issue on pastoral. I looked at forty-five journals. Of these, twenty-two did not have an article or review relevant to the study of ancient women. Twenty-three journals contained at least one title and of these Helios had devoted an entire issue to Feminist scholars, including those who are not specialists in classical antiquity, would probably be particularly interested in some of the articles in Helios and in Larissa Bonfante’s study of nudity. The vast majority of the publications are traditional historical or literary studies. But I doubt that they would have been so numerous without the inspiration of feminism, however remote from the mind of some of the authors. This little survey confirmed my sense that the study of women has, indeed, become part, albeit a very small part, of the mainstream of Classical Studies.
Women, Art, and Power and Other Essays
Abstract: Seven landmark essays on women artists and women in art history – brings together the work of almost twenty years of scholarship and speculation.