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Added by: Giada Fratantonio
Summary: In this chapter, the author argues that epistemological and ethical practices of ignorance are strategic and involve a strategic denial of relationality, namely, of the way in which subjects are formed through relation with each other.Grasswick, Heidi. Feminist Social Epistemology2013, Standford Encyclopedia of Philosophy-
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Added by: Giada Fratantonio
Summary: Survey article on feminist epistemology and its intersection with social epistemology. Includes discussion on topics such as the historical development of feminist epistemology as well as on epistemic injustice and the epistemology of ignorance.Comment: It can be used as introductory/overview reading for a course on feminism, as well as social epistemology.
Nzegwu, Nkiru. African Art in Deep Time: De‐race‐ing Aesthetics and De‐racializing Visual Art2019, Journal of Aesthetics and Art Criticism 77 (4): 367-378.-
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Added by: Simon Fokt
Abstract: In two essays in the ART/Artifact(1988) exhibition catalog, white American museum curator Susan Vogel and white American philosopher Arthur Danto pronounce that Africans do not distinguish between art and nonart. Although seemingly objective empirical statements, their assertions about Africa and its art are racially based ruminations of a white supremacist worldview. I argue that in theorizing within the category of race they produced racialized aesthetics that commit the Eurocentric fallacy of upholding systemic racist objectives. I argue that (1) their assertions fail to be about African art, but about hegemony and power; (2) as the longest enduring artistic activity of humanity, African art is an important check to racialized aesthetics; (3) art is produced outside the category of race and from a critically conscious awareness of the world; and (4) art bespeaks creativity and presupposes the artistic and moral values of a culture in the manipulation and transformation of physical reality.
Comment: Written in an engaging way, this paper invites the reader to re-evaluate some common assumptions about art from different cultures. Exposing the prevalent Western approach to African art as racialised, it can be a great tool in making students understand both the structural-societal, as well as own biases in approaching other cultures. Ngzewu defends a powerful thesis: that ‘the West’s conception of art and creativity presupposes white racial hegemony.’ She exposes the way in which Western art is tacitly assumed to be a yardstick against which all is measured, and the Westerners have become the ‘purveyors of knowledge’ who apply this yardstick to decide whether works of other cultures are art, all without any need to consult the creators of those works, or to revise own concept of art. As such, the paper can be very empowering to some students, while also being very uncomfortable to others – teaching it might require some skill in leading the discussion in a constructive way. The import of Ngzewu’s argumentis that while racism and white domination rest on the assumption of cognitive and moral superiority of white people, the approach to African art she criticises serves to reinforce this assumption. This can inspire further class discussion on the importance and value of aesthetics. Best used before assigning other texts on non-Western art, which should all be read in light of Ngzewu’s criticism. Written in an engaging way, this paper invites the reader to re-evaluate some common assumptions about art from different cultures. Exposing the prevalent Western approach to African art as racialised, it can be a great tool in making students understand both the structural-societal, as well as own biases in approaching other cultures. Ngzewu defends a powerful thesis: that ‘the West’s conception of art and creativity presupposes white racial hegemony.’ She exposes the way in which Western art is tacitly assumed to be a yardstick against which all is measured, and the Westerners have become the ‘purveyors of knowledge’ who apply this yardstick to decide whether works of other cultures are art, all without any need to consult the creators of those works, or to revise own concept of art. As such, the paper can be very empowering to some students, while also being very uncomfortable to others – teaching it might require some skill in leading the discussion in a constructive way. The import of Ngzewu’s argumentis that while racism and white domination rest on the assumption of cognitive and moral superiority of white people, the approach to African art she criticises serves to reinforce this assumption. This can inspire further class discussion on the importance and value of aesthetics. Best used before assigning other texts on non-Western art, which should all be read in light of Ngzewu’s criticism.
MacCumhaill, Clare, Rachael Wiseman. A Female School of Analytic Philosophy? Anscombe, Foot, Midgley and Murdoch2018, Women in Parenthesis website-
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Added by: Anne-Marie McCallion
Introduction: The history of Analytic Philosophy we are familiar with is a story about men. It begins with Frege, Russell, Moore. Wittgenstein appears twice, once as the author of the Tractatus and then again later as the author of the Philosophical Investigations. Between Wittgenstein’s first and second appearance are Carnap and Ayer and the all-male Vienna Circle. Then come the post-second-world war Ordinary Language Philosophers – Ryle, and Austin. After that Strawson and Grice, Quine and Davidson.
The male dominance is not just in the names of the ‘star’ players. Michael Beaney’s 2013 Oxford Handbook of the History of Analytic Philosophy begins by listing the 150 most important analytic philosophers. 146 of them are men. For women who wish to join in this conversation, the odds seem formidably against one.
Today we will be speaking about two of the four women who warrant an entry in Beaney’s list – Elizabeth Anscombe and Philippa Foot. We will be talking about them alongside two other women Iris Murdoch and Mary Midgley. We think they should also be in the top 150, but our broader aims are more ambitious than increasing the proportion of important women from 2.7% to 4%.
Comment: This text offers a very accessible introduction to the work of the Wartime Quartet as well as a biographical and historical overview of their philosophical school status. It would be suitable for history of philosophy courses – especially those which emphasise or centre upon 20th century analytic philosophy. This text will also be essential for students who wish to set-up an In Parenthesis reading group, please see here for more information: http://www.womeninparenthesis.co.uk/curated-resources/for-students/new-undergraduate-reading-list/#intro
Wang, Robin. Dao Becomes Female2017, In Garry, A., Khader, S.J. and Stone, A (eds.) New York: Routledge, pp. 35–38-
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Added by: Chris Blake-Turner
Abstract: Daoism, a Dao based and inspired teaching and practice, has been considered to be the philosophy of yielding in Chinese intellectual history. One important aspect of yielding is being rou 柔—soft, gentle, supple—which the Daodejing couples with the feminine. Not surprisingly, then, the female and femininity have enormous significance for Laozi and Daoism. To highlight this unique philosophical aspect of Daoism, this chapter will place femininity/the feminine/the female center stage to investigate Daoist thought and its possible contribution to feminist thought in a contemporary global setting. In this chapter I promote a somewhat female consciousness of Dao, or a Daoist female consciousness, which may expand, support, or alter feminist assumptions about femininity/the feminine/the female. The overarching focal point of this understanding lies in a depiction of the female and femininity as a cosmic force, a way of knowing, and a strategy for leading a flourishing life. The main points are that Dao does not govern actually existing gender relations—or, at least, that the social and political reality of gender relations is not modeled on Dao, because the patriarchy is not Dao. Highlighting the female or feminine aspect of Dao, or Dao as becoming female, is a feminist intervention, using resources from within classical Daoist thought in order to re-imagine or reconfigure gender for our time.Comment: A useful way of introducing some feminist thought into a course on classical Chinese philosophy. It would fit well either in a unit on Daoism or in a unit on feminism. It would be tough to use this in a feminist course to introduce some Daoist thought; the chapter is tricky without some familiarity with the Daodejing
Davis, Angela. Women, Race and Class1981, New York: Vintage-
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Added by: Anne-Marie McCallion
Publisher's Note: A powerful study of the women's liberation movement in the U.S., from abolitionist days to the present, that demonstrates how it has always been hampered by the racist and classist biases of its leaders. From the widely revered and legendary political activist and scholar Angela Davis.Comment: This text would be useful for courses which touch upon Black Feminism, intersectionality, Slavery or the history of feminism.
Curtis, Annaleigh. Feminism Part 1: The Sameness Approach2014, 1000-Word Philosophy: An Introductory Anthology-
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Added by: Simon Fokt, Contributed by: Nathan Nobis
Abstract: In both academic and non-academic discussions of feminism, there is sometimes a lack of appreciation for the diversity among feminist positions. Two people may be called feminists while disagreeing about a range of theoretical and practical issues, like the nature of oppression, sex work, or abortion. In this and the next essay, I lay out two general feminist approaches to sexist oppression: the sameness approach, the difference approach, and the dominance approach. This first essay focuses on the sameness approach.Comment: An introduction to 'the sameness approach' in feminism.
Curtis, Annaleigh. Feminism Part 2: The Difference Approach2014, 1000-Word Philosophy: An Introductory Anthology-
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Added by: Simon Fokt, Contributed by: Nathan Nobis
Abstract: Different strands of thought that arise out of political movements are often difficult to categorize and also often answer to many names. The 'difference approach' to feminism is discussed here, following Haslanger and Hackett. This approach is sometimes also called radical, cultural, or gynocentric feminism.Comment: An introduction to feminism, focusing on 'the Difference Approach' to feminism.
Jorati, Julia. Leibniz on Causation, Part 12015, Philosophy Compass 10 (6):389-397-
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Added by: Simon Fokt, Contributed by: Julia Jorati
Abstract: Leibniz holds that created substances do not causally interact with each other but that there is causal activity within each such creature. Every created substance constantly changes internally, and each of these changes is caused by the substance itself or by its prior states. Leibniz describes this kind of intra-substance causation both in terms of final causation and in terms of efficient causation. How exactly this works, however, is highly controversial. I will identify what I take to be the major interpretive issues surrounding Leibniz's views on causation and examine several influential interpretations of these views. In ‘Leibniz on Causation – Part 2’ I will then take a closer look at final causation.Comment: Can be used for a survey of early modern philosophy or for a more advanced class on the history of theories of causation.
Jorati, Julia. Gottfried Leibniz [on Free Will]2017, In Kevin Timpe, Meghan Griffith & Neil Levy (eds.), The Routledge Companion to Free Will. New York, USA: Routledge. pp. 293–302-
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Added by: Simon Fokt, Contributed by: Julia Jorati
Abstract: Leibniz was obsessed with freedom. He turns to this topic again and again throughout his long career. And what he has to say about freedom is much more resourceful and inventive than typically acknowledged. While building on medieval theories—for instance by describing freedom in terms of the relation between the agent’s will and intellect—he also adds radically new elements and even anticipates some views that are popular today. The combination of theses about free will that Leibniz endorses in his mature writings is unusual and may at first appear inconsistent: (a) he claims that some of our actions are free, (b) he links free agency closely to agent causation and in fact appears to deny that there is event causation; (c) he accepts a form of determinism. In other words, Leibniz endorses what we can describe as an agent-causal compatibilist theory of freedom. The three theses may seem to be in tension not only because proponents of agent causation views are typically incompatibilists, but also because determinism is often defined in a way that presupposes event causation. As we will see soon, however, the tension is merely apparent. Leibniz’s version of agent-causal compatibilism is perfectly coherent and has some unique advantages over rival accounts.Comment: Gives an overview of Leibniz's views on freedom of the will; can be used for survey courses on early modern philosophy or for courses on the free will debate.
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Hoagland, Sarah Lucia. Denying Relationality: Epistemology and Ethics and Ignorance
2007,
Comment: Good as a further reading for a course on epistemology of ignorance.